Get Your Cherished Paintings Restored by Las Vegas Professionals

Posted on September 27, 2023 by Flora Arguilla

As an experienced art conservator, my work often leads me on a journey through Las Vegas, where I have engaging discussions about the intricate world of art conservation. People most often come to me to repair artwork, whether the problem is a ripped painting, unsightly cracks, or even mold. These conversations often take me to people’s homes and offices. There, I have the privilege of examining artworks and advising on the restoration.  It’s an honor to act as a bridge between past and present generations. Recently, I had the honor of consulting on a family’s ancestral portrait.

A contemporary abstract painting belonging to a private collector needed some TLC before being taken out of storage and put on exhibition.

Heirlooms and artworks serve as living conduits to bygone eras. They allow us to reconnect with our roots, remember loved ones, and share tales of our ancestors with future generations. Yet, a common question arises, especially when these items change hands through generations: Is it truly worth restoring them? Can something be priceless when it seemingly holds no monetary value? How do we decide what to save and protect among our possessions?

Understanding the worth of these family treasures requires a multi-dimensional perspective. One must consider the tangible financial value, the intangible emotional value, and the historical significance that each piece might embody. It becomes particularly rewarding when the emotional and historical ties to an item intersect with its intrinsic artistic value. This amalgamation of factors influences the decision-making process of restoration and preservation.

A truly heartbreaking situation but a result of a very stupid collector who shipped this gorgeous, high quality, valuable artwork with little protection. The glass broke and then slid around in the packing which broke up the paint layers. We could have stabilized and restored this to look perfect, preserving its beauty and some of its value but the collector didn’t want to spend the money and I think they threw it away!!

The key factor that often tips the scales in favor of restoration is the condition of the artwork. Oil paintings, like other forms of art, can suffer the effects of time and environmental factors. This leads to issues such as rip damage, discolored varnishes, and flaking paint. Addressing these concerns through meticulous painting conservation and art restoration can breathe new life into an artwork, allowing it to continue narrating its story for generations to come.

In the realm of art conservation, we recognize that value extends beyond the appraisal of an artwork. Value includes narratives that the art carries, the emotions it evokes, and the connections it fosters across generations. Thus, the question of whether an heirloom or artwork is “worth” restoring finds its answer in the profound appreciation of its multifaceted significance, ensuring that it remains an enduring beacon of familial history and artistic legacy.

A recent experience in Las Vegas, Nevada, exemplifies the sentiment of preserving familial legacies. In this instance, a family entrusted us with the care of the treasures accumulated over the years by their parents as their family expanded. These objects held not only physical attributes but also a trove of cherished memories. It was an honor to engage in the preservation, restoration, and support of this family’s commitment to their heritage by tending to a diverse collection of nearly two dozen items.

This is a quick testimonial of our heirloom restoration services.

 

Here is our webpage for other testimonials. 

Scroll down the page… I think you’ll find several of the examples interesting and entertaining:

https://www.FineArtConservationLab.com/testimonials

Scott Haskins, art conservator, with murals in his lab

Scott M. Haskins in the mural room of his lab.

This blog post has been syndicated at ExpertClick.com. What does it mean that this article is “ syndicated”?

It’s a bit of a coup to get an article syndicated, and it’s certainly prestigious, as additional “proof” that the info and the author are considered far and wide authoritative and an expert in the field. So, enjoy and trust our content!! This article was syndicated for USA national redistribution.

When something is published, usually by a news source, and is made available through different venues for redistribution then it is said to be syndicated. Publications that are syndicated are usually considered of value as being from an expert, educational, new worthy or valuable for wide popular interest. See syndication page at the renowned publicity site: https://www.expertclick.com/NRWire/

This website’s syndication included:

1) Included in the ExpertClick Press Room as a ‘press release.’ (different than a ‘news release’)

2) Included in the ‘Speaker Bureau Platform Page.’

3) Shown on the front page of ExpertClick, in rotation with other most recent posts.

4) Shown in the ‘News Release Results page.’

5) Included on optimized for searches on all my topics of expertise.

6) Shown via RSS linked from the Press Room. (A specific way news is actively distributed within the industry)

7) Shown in the full RSS feed from ExpertClick. (Another, different specific way news is actively distributed within the industry)

8) Syndicated to LexisNexis.com As of 2006, the company had the world’s largest electronic database for legal and public-records related information, distributor of academic content and expert opinion.

This article has been syndicated at https://www.expertclick.com/NRWire/

Posted in art restoration of family portraits, Consultations, Painting on canvas | Tagged , | Leave a comment

Las Vegas Disaster Response for Art (Paintings, Collectibles, and Murals)

Posted on September 17, 2023 by Flora Arguilla
Water damaged painting of two girls in their bedroom

This painting has been severely water-damaged.

FACL, Inc. is known for its Las Vegas disaster response. We have over 30 years of experience and have worked on a wide variety of items, including paintings, murals, heirlooms, and collectibles. We understand that art and collectibles are often irreplaceable, and we take great care to restore them to their former glory.

Our disaster response services include:

  • Emergency assessment: We will quickly assess the damage to your art and collectibles and develop a plan for restoration.
  • Stabilization: We will take steps to prevent further damage to your art and collectibles.
  • Cleaning: We will clean your art and collectibles using gentle methods that will not damage them.
  • Repair: We will repair any damage to your art and collectibles using traditional and innovative techniques.
  • Restoration: We will restore your art and collectibles to their former glory.

We also offer a variety of other services, such as:

Insurance consultation: We can help you assess the insurance value of your art and collectibles and develop a plan to protect them from future damage.
Storage: We can provide secure storage for your art and collectibles.
Transportation: We can safely transport your art and collectibles to and from our facility.

If you have any art or collectibles that have been damaged by a disaster, please contact Fine Art Conservation Laboratories today. We will work with you to restore your treasures to their former glory.

Here are some additional tips for protecting your art and collectibles from disasters:

  • Keep them in a safe place. This means keeping them away from water, moisture, and pests.
  • Handle them with care. Avoid touching the surface of the artwork or heirloom with your bare hands.
  • Clean them regularly. Use a soft brush or cloth to remove dust and dirt.
  • Get them professionally insured. This will help to protect you financially in case your art or heirlooms are damaged.
  • Develop a disaster plan. This plan should include steps for how you will protect your art and collectibles in the event of a disaster.

Some additional things to keep in mind when choosing a disaster response service:

  • Make sure the company has experience working with art and collectibles.
  • Get references from previous clients.
  • Ask about the company’s insurance and security measures.
  • Get a written estimate of the costs involved.

By following these tips, you can be sure to choose a disaster response service that will protect your art and collectibles to the best of their ability. Feel free to give us a call for any questions or if you’re interested in our services: (805) 666-3415.

This blog post has been syndicated at ExpertClick.com. What does it mean that this article is “ syndicated”?

It’s a bit of a coup to get an article syndicated, and its certainly prestigious, as additional “proof” that the info and the author are considered far and wide authoritative and an expert in the field. So, enjoy and trust our content!! This article was syndicated for USA national redistribution.

When something is published, usually by a news source, and is made available through different venues for redistribution then it is said to be syndicated. Publications that are syndicated are usually considered of value as being from an expert, educational, new worthy or valuable for wide popular interest. See syndication page at the renowned publicity site: https://www.expertclick.com/NRWire/

This website’s syndication included:

1) Included in the ExpertClick Press Room as a ‘press release.’ (different than a ‘news release’)

2) Included in the ‘Speaker Bureau Platform Page.’

3) Shown on the front page of ExpertClick, in rotation with other most recent posts.

4) Shown in the ‘News Release Results page.’

5) Included on optimized for searches on all my topics of expertise.

6) Shown via RSS linked from the Press Room. (A specific way news is actively distributed within the industry)

7) Shown in the full RSS feed from ExpertClick. (Another, different specific way news is actively distributed within the industry)

8) Syndicated to LexisNexis.com As of 2006, the company had the world’s largest electronic database for legal and public-records related information, distributor of academic content and expert opinion.

This article has been syndicated at https://www.expertclick.com/NRWire/

Posted in Disaster/Emergency Response | Tagged , , | Leave a comment

Rain and Flooding in Las Vegas: How to Protect Art and Heirlooms.

Posted on September 16, 2023 by Flora Arguilla
Picture of the Las Vegas strip at night, flooded.

Recent floods in Las Vegas have threatened collections, art, and heirlooms. Keep reading for tips about how to protect art.

The recent floods have caused widespread damage, and unfortunately, works of art and heirlooms are not immune. People are turning to FACL’s Las Vegas Disaster Response services for art to mitigate these damages and for advice about how to protect art. If you have art or heirlooms in your home, it is important to take steps to protect them from water damage. 

Here are some tips:

  • Move your art and heirlooms to a safe place. This could be a high shelf, a closet, or even a friend’s house. If you have to move them, be careful not to damage them.
  • Cover your art and heirlooms with plastic sheeting or tarps. This will help to protect art from the rain and debris.
  • Do not use heat or direct sunlight to dry your items, as this could further damage them.
  • Get them professionally insured. This will help to protect you financially in case your art or heirlooms are damaged.
  • If your art or heirlooms are severely damaged, you may need to seek professional help. There are companies that specialize in repairing art and heirlooms from water damage.

One such company is Fine Art Conservation Laboratories. They have over 30 years of experience repairing art, documents, and collectibles from water damage and other environmental damage. They use state-of-the-art techniques to restore your items to their original condition.

Here are some testimonials from past clients who have utilized our water-damage mitigation services:


If you have any questions about how to protect art and heirlooms from water damage, please contact Fine Art Conservation Laboratories. They will be happy to help you. Our office number is (805) 666-3415.

Here are some additional information about how rain and flooding can damage art and heirlooms:

  • Water can cause paper to warp, fade, or discolor.
  • Water can also cause paint to crack, peel, or fade.
  • Wood can swell and warp when exposed to water.
  • Textiles can become stained, moldy, or brittle.
  • Metal can corrode or rust.

If your art or heirlooms are damaged by water, it is important to act quickly to prevent further damage. By following the tips above, you can help protect your valuables and ensure they last for many years.

This blog post has been syndicated at ExpertClick.com. What does it mean that this article is “ syndicated”?

It’s a bit of a coup to get an article syndicated, and its certainly prestigious, as additional “proof” that the info and the author are considered far and wide authoritative and an expert in the field. So, enjoy and trust our content!! This article was syndicated for USA national redistribution.

When something is published, usually by a news source, and is made available through different venues for redistribution then it is said to be syndicated. Publications that are syndicated are usually considered of value as being from an expert, educational, new worthy or valuable for wide popular interest. See syndication page at the renowned publicity site: https://www.expertclick.com/NRWire/

This website’s syndication included:

1) Included in the ExpertClick Press Room as a ‘press release.’ (different than a ‘news release’)

2) Included in the ‘Speaker Bureau Platform Page.’

3) Shown on the front page of ExpertClick, in rotation with other most recent posts.

4) Shown in the ‘News Release Results page.’

5) Included on optimized for searches on all my topics of expertise.

6) Shown via RSS linked from the Press Room. (A specific way news is actively distributed within the industry)

7) Shown in the full RSS feed from ExpertClick. (Another, different specific way news is actively distributed within the industry)

8) Syndicated to LexisNexis.com As of 2006, the company had the world’s largest electronic database for legal and public-records related information, distributor of academic content and expert opinion.

This article has been syndicated at https://www.expertclick.com/NRWire/

Posted in art restoration of family portraits, Water Damage | Tagged , , | Leave a comment

Saving The Bicentennial Freedom Mural On Prado Dam – Mural Restored, Riverside County, CA

Posted on August 28, 2023 by Scott M. Haskins
This blog post has been syndicated at ExpertClick.com. What does it mean that this article is “ syndicated”? See end of article for explanation.

 

 

 

For those of you who have driven the freeways in the Corona and Riverside areas of Southern California, you are aware of the massive mural on the side of a dam that celebrates the bicentennial birthday of our country in 1976. Painted by renegade high school students, it immediately became a beloved landmark to many but local government has struggled over the decades to maintain it and keep the vandals from covering the celebration of our freedoms with graffiti.

 

 

 

 

 

 

 

 

There have been previous attempts to restore the mural when it looked beat up but apparently no one has ever made a commitment to maintain it and keep the taggers off. Over the decades it has mostly been an eyesore and a sad reminder of ineffectual government to the millions of people a week that drive by and look at the mutilated celebration of freedom.

A couple of years ago, the artist in charge of originally painting the mural, Ron Kammeyer now a renown landscape architect, challenged local govn’t and the Army Corp of Engineers to restore the mural and maintain its message with pride. There was an explosion of bureaucracy, whining, law suites and finally in April of this year 2023, the mural was repainted faithful to the original composition but with no concern for preserving any evidence of the original historical mural.

 

 

 

 

 

 

 

 

Scott M. Haskins, Art and Mural Conservator from Fine Art Conservation Laboratories played an important part in getting the discussions off stalemate about two years ago. He was engaged to work with attorney’s trying to protect artist’s rights and historic public art and offered opinions based on a professional point of view of facts rather than the arguments previously offered according to people’s opinions.

Mr. Kammeyer recently said, “Scott’s involvement was of paramount importance in settling what seemed to be the never-ending indecisions of the Army Corp of Engineers, The Flood Control and Water Districts of Riverside and the City of Corona. The restoration of this mural should be considered a huge victory on Mr. Haskins’ resume for professional consulting on behalf of preserving, protecting and restoring public art within our area of 7 communities.”

Some of the other municipal contracts for maintaining public art over the decades by Mr. Haskins and FALC, Inc. have been…

Municipal, State and Federal Art Maintenance Contracts

2023 The Washington State Arts Commission (ArtsWA). 1500 murals state-wide, contract for consulting and mural conservation services

2023 City of Porterville, CA Marching Through Time Mural

2017 -2024 Dept of Cultural Affairs, Los Angeles, 3 year contract for mural assessments, consultations and mural conservation treatments, contract renewed for another 3 year term.

2021 Cultural Arts Commission, City of Santa Monica, Murals

2016 -2019 Federal Reserve Art Collection, 5 Centers in 5 of the Western United States

2012 – 2015 Province of British Columbia (murals)

2009 – 2012  Arts Commission of Los Angeles, Community Redevelopment Agency, Cultural Arts. Open ended project of various mural projects and consultation projects (assessments, murals)

2000 – Present Collection maintenance and Consulting for The Corporation of the President, Salt Lake City

1998 – Present Contract with the City of Dallas at Fair Park, Texas

1997 – 2000 General Services Administration (GSA), United States Government, Indefinite Quantity Contract for conservation services for paintings in federal buildings in 20 Western States.

Example of City Mural Maintenance Proposal (Graffiti Removal) Ideas for discussion  https://www.fineartconservationlab.com/3781-2/

Public Art Protection Varnishing Murals and Oil Paintings for Future Maintenance  https://www.fineartconservationlab.com/murals/public-art-protection-varnishing-murals-and-oil-paintings-for-future-maintenance/

Removing Graffiti From Murals https://www.fineartconservationlab.com/removing-graffiti-from-murals/

Public Art Mural’s Graffiti Protection Coating (Our Multi-Layer Applications) Is Put To The Test  https://www.fineartconservationlab.com/murals/public-art-murals-graffiti-protection-coating-our-multi-layer-applications-is-put-to-the-test/

Mural Restored of Famous Porterville, CA Marching Bands – Maintaining Public Art  https://www.fineartconservationlab.com/murals/mural-restored-of-famous-porterville-ca-marching-bands-maintaining-public-art/

Does a Public Art Mural Need Varnish If Graffiti Is Not A Problem?  https://www.fineartconservationlab.com/murals/does-a-mural-need-varnish-if-graffiti-is-not-a-problem/

Protecting The Kobe Bryant Memorial Mural 2020 With An Anti-Graffiti Coating  https://www.fineartconservationlab.com/travel/protecting-the-kobe-bryant-memorial-mural-2020-with-an-anti-graffiti-coating/

Art Restoration and Conservation Consultation Services https://www.fineartconservationlab.com/consultations/

 

 

 

 

 

 

 

 

This blog post has been syndicated at ExpertClick.com. What does it mean that this article is “ syndicated”?

Its a bit of a coup to get an article syndicated, and its certainly prestigious, as additional “proof” that the info and the author are considered far and wide authoritative and an expert in the field. So, enjoy and trust our content!! This article was syndicated for USA national redistribution.

When something is published, usually by a news source, and is made available through different venues for redistribution then it is said to be syndicated. Publications that are syndicated are usually considered of value as being from an expert, educational, new worthy or valuable for wide popular interest. See syndication page at the renowned publicity site: https://www.expertclick.com/NRWire/

This website’s syndication included:

1) Included in the ExpertClick Press Room as a ‘press release.’ (different than a ‘news release’)

2) Included in the ‘Speaker Bureau Platform Page.’

3) Shown on the front page of ExpertClick, in rotation with other most recent posts.

4) Shown in the ‘News Release Results page.’

5) Included on optimized for searches on all my topics of expertise.

6) Shown via RSS linked from the Press Room. (A specific way news is actively distributed within the industry)

7) Shown in the full RSS feed from ExpertClick. (Another, different specific way news is actively distributed within the industry)

8) Syndicated to LexisNexis.com As of 2006, the company had the world’s largest electronic database for legal and public-records related information, distributor of academic content and expert opinion.

This article has been syndicated at https://www.expertclick.com/NRWire/

Posted in Consultations, Murals, Saving Public Art | Tagged | Leave a comment

Waterhouse Art Gallery Adds Their Positive Energy to the Montecito Art Scene

Posted on July 20, 2023 by Scott M. Haskins
This article was syndicated at the renown ExpertClick.com. To see why syndication is such a big deal, see the end of this article.

 Santa Barbara’s most enduring art gallery – The Waterhouse Gallery – has opened an additional new gallery to bless Montecito with a place to gather for high quality, traditional contemporary art. Its definitely stimulating to see the quality and genius of masters who lift your spirits, tantalize your senses, and stimulate your wanderlust nature. Located at Coast Village Plaza, this cozy center is a treat to visit again and again.

The owners, Diane and Ralph Waterhouse, have been residing in Santa Barbara for decades and opened their first gallery in La Arcada Plaza (1114 State Street, Suite 9) in 1984. Today, the couple is excited to expand their cultural outreach in a different location.

Featuring a host of national and local professional artists, this space is divided up into different genres, including figurative paintings and landscape-based art depicting Santa Barbara as well as other regions. Diane explains, “Traditional contemporary work is something we are passionate about. We showcase art that we enjoy owning and displaying at our own home.”

Each one of the Waterhouse power-couple complements the other in this artistic endeavor, with Ralph Waterhouse being a renowned painter and Diane Waterhouse possessing a talent and an eye for finding captivating art. Their dynamic partnership extends beyond business to philanthropic outreach work. “We certainly work seamlessly together and are a great team,” Diane acknowledges.

As art lovers who have been a part of the business for almost four decades, their knowledge is second to none. They enjoy discussing their experiences, which will certainly enrapture any art lover. If you are kind-of shy, do not worry about venturing to a new location! Diane has a knack for making friends within minutes. Their galleries are totally non-threatening and a very easy place to feel comfortable.

Ralph and Diane Waterhouse celebrating their Santa Barbara’s gallery with Wyllis Heaton at the anniversary

The Waterhouses are renowned for their experience and expertise in the art community and have gradually built close relationships with various world-class artists, such as Scott M. Haskins, Conservator of Fine Art in Santa Barbara. The latter is a magician when it comes to resuscitating or maintaining paintings that require restoration. Fine Art Conservation Laboratories is a highly reputed institution, since invaluable paintings that sustain damage from smoke, flood, or fire are brought back to life here. Mr. Haskins revealed that during various house visits, he is stunned to find paintings procured from the Waterhouse Gallery. “The quality of artists they choose to showcase is top-notch,” he added.

Fine Art Conservation Laboratories – Virginia Panizzon, Art Conservator, works on historical paintings for Casa Romantica in San Clemente, CA

When you decide to visit this gallery, be prepared to fall in love with the art pieces displayed here. Diane believes in choosing art that touches her heart and brings her joy. Each piece of art displayed here will stir your emotions and prompt you to recall stories from your past. From figurative paintings to depictions of local landscapes such as Butterfly Beach, the Historical Santa Barbara County Courthouse and Arroyo Burro Beach, you will find masterpieces that will force you to embark on an unforgettable journey.  “Interestingly enough, both the tourists and the locals enjoy art that showcases local scenes,” Diane exclaimed.

The art gallery in Montecito was opened on April 1, 2023, and the Waterhouses  are consistently excited about the prospect of interacting with other art-lovers through their gallery. In particular, Diane enjoys watching people buy their first-ever painting. “I always tell them that you should buy any piece of art that touches your heart; otherwise, you will live with regret,” she said. Simply put, something that looks great in the gallery may look even better in your home. You can even try it out in your home before you decide!

Questions? Call Diane Waterhouse 805 886 2988

Art Conservation questions?

Call Scott M. Haskins, Art Conservator 805 564 3438

See more in the featured Plein-Aire Magazine article

See more about the featured artists – https://www.waterhousegallery.com/index.html

Article By Meghana Venkata, Guest Blogger,  @venkatameghana

Meghana Venkata is a freelance writer and copy editor, currently pursuing a Master’s Degree.

 

Article Syndication Graphic.jpg

This blog post has been syndicated at ExpertClick.com. What does it mean that this article is “ syndicated”? Its a bit of a coup to get an article syndicated…

… and its certainly prestigious, as additional “proof” that the info and the author are considered far and wide authoritative and an expert in the field. So, enjoy and trust our content!! This article was syndicated for USA national redistribution.

When something is published, usually by a news source, and is made available through different venues for redistribution then it is said to be syndicated. Publications that are syndicated are usually considered of value as being from an expert, educational, new worthy or valuable for wide popular interest. See syndication page at the renowned publicity site: https://www.expertclick.com/NRWire/Releasedetails.aspx?id=296848

This website’s syndication included:

1) Included in the ExpertClick Press Room as a ‘press release.’ (different than a ‘news release’)

2) Included in the ‘Speaker Bureau Platform Page.’

3) Shown on the front page of ExpertClick, in rotation with other most recent posts.

4) Shown in the ‘News Release Results page.’

5) Included on optimized for searches on all my topics of expertise.

6) Shown via RSS linked from the Press Room. (A specific way news is actively distributed within the industry)

7) Shown in the full RSS feed from ExpertClick. (Another, different specific way news is actively distributed within the industry)

8) Syndicated to LexisNexis.com As of 2006, the company had the world’s largest electronic database for legal and public-records related information, distributor of academic content and expert opinion.

Posted in Consultations, FACL in the media, In The News About Art Conservation, Testimonials | Tagged | 18 Comments

Banksy’s Rat Checks Into ArtDoctor’s Office – Preserving and Restoring Street Art

Posted on July 11, 2023 by Scott M. Haskins
This blog post has been syndicated at ExpertClick.com. What does it mean that this article is “ syndicated”? See end of article for explanation.

After 5 Years of touring with 40 venues and millions of fans, like most famous movie stars, life has not been easy. Have you seen #SavingBanksy, the full length movie about this illegal painting that was saved from obliteration by a Hollywood Movie Director?

Fine Art Conservation Laboratories in Santa Barbara received this week an unusual work of art of world fame: 10 graffiti-covered redwood boards that were ripped from the side of a Victorian home on Haight Street in San Francisco.

Spray-painted on the side of the upper story siding, the omni-famous iconic rat is clutching a spray-gun for graffiti, the stenciled work of the yet unidentified outlaw street art superstar Banksy, who took the occasion of a wedding of a friend to promote his new movie in San Francisco in 2010.

Taking down the illegal street art before local statutes for graffiti removal got the property owner in trouble, would have obliterated the famous artwork forever. But once removed, six and seven figure bids were offered for the piece. But the savior of the painting says he can’t sell it without breaking a promise.

Brian Greif’s effort to obtain and restore the painting – and now, to display it publicly – illustrates the fervor that surrounds Banksy’s guerrilla artworks. It also stirs up a complicated debate about street art, its cultural value, and efforts to memorialize and monetize a form of expression that wasn’t intended to last. Yet, removed, it was accessible to a wide and enthusiastic audience (that still got to see the iconic rat for free) and this week it came to the ArtDoctor, Scott M. Haskins after a 5 year tour of over 40 venues and millions of fan views for a check-up.

Banksy wasn’t as mainstream in April 2010 when he made his run through San Francisco, leaving about 10 works in such neighborhoods as the Mission, Chinatown and the Haight. The visit coincided with the release of “Exit Through the Gift Shop,” his Oscar-nominated documentary that prods at the absurdities of the hyper-commercialized art market. After Banksy’s visit, Greif scrambled to see all of the works. But many were already painted over by building owners seeking to comply with city law, which considers graffiti “visual pollution.”

One such business owner was Sami Sunchild, founder of the iconic Red Victorian bed-and-breakfast inn on Haight Street. Banksy, who uses stencils so he can move quickly, painted the rat on the side of the house from the roof of an adjacent building. Sunchild, who died several years ago at age 87, was about to paint over the work when Greif approached her and cut a deal to remove the wood siding. He did so carefully in December 2010, hiring Brothers Collins Woodworking of Cotati, which specializes in historic buildings. Part of the bargain with Sunchild, he said, was a promise that he would take the piece but not sell it.

Street artists regularly paint over each other’s work, but, as Banksy’s popularity grows, so have preservation efforts. Some building owners have covered his works with Plexiglas. Or, as in Greif’s case, people have removed pieces completely. Removing the artwork involved cutting off the building the redwood siding with the “mural” (and then repairing the building to look perfect). Interestingly, as soon as the building was put back into order, someone else took advantage of the featured location in the news and turned into a marketing opportunity to promote discussion.

This week, art restorers Scott Haskins and Virginia Panizzon unpacked the wood siding with the valuable artwork from the Red Victorian at his Santa Barbara lab. Haskins and Panizzon have been restoring major artworks for 40 years. He was the team leader in restoring Gottardo Piazzoni’s “The Sea” and “The Land” murals, which were painstakingly removed from San Francisco’s old Main Library and now sit in the new de Young Museum in Golden Gate Park. He has consulted on Banksy restorations in the past and said the rat painting shouldn’t require much work. “It’s basically a preservation and reassembly of the piece. It is in not bad condition and looks good,” Haskins said.

His plan is to keep the work light and portable using “airplane technology” – affixing the slats to 1-inch-thick aluminum honeycomb material.  Greif doesn’t want the piece to look new. Instead, he wants to preserve the street-art aesthetic. He wants the piece to look like it did on the side of the Red Victorian. “When we’re done, it’s going to look like you are standing on the rooftop looking at the wall,” Haskins said.

Banksy’s iconic rat, under the watchful eyes of Scott M. Haskins and Virginia Panizzon, at Fine Art Conservation Laboratories for reassembly, preservation, restoration and preparation for a massive tour.

Preserving and restoring the piece correctly and respectfully was one task. But setting up the venues for public display was a bit difficult, at the beginning, said Greif.  But once it was known that the popular artwork was available for exhibit, the rat became a celebrity and toured over 40 venues in 5 years. Still, institutional attitude, a thing that Banksy hates, was rampant in 2010.

As he discovered, curators were particular about their use of gallery space – and the context in which art is displayed. Besides the fact that planning gallery space occurred years in advance, they got sidestepped with comments like (Greif was in talks with SFMOMA and the de Young) “You’ve got to be considerate (about) if it was the artist’s intent,” said Zarobell, who was curator at SFMOMA when Greif made his inquiries. He said he contacted Banksy’s people and found that the artist apparently didn’t want the work shown in a museum… duh!!!

Though not looked at seriously in 2010, I wonder what would be their response to its availability now that Banksy is the most famous street artist in the world that captures the attention of millions?

Greif continues with his project, finding the rat new opportunities. Greif’s only stipulation, as given him by Banksy: The work must be seen publicly, for free. “Street art,” he said, “is made to look at and talk about.” One man’s effort to obtain, restore, and publicly display the street artist’s guerrilla artworks illustrates the fervor that surrounds this social movement. Never has it been more popular and more discussed… even in the digital worlds. More on that later.

Thoughts have been discussed about providing this work of art for public ownership through NFTs (digital collectibles). What do you think?

Questions? Call Scott M. Haskins 805 570 4140

Article Syndication Graphic.jpg

This blog post has been syndicated at ExpertClick.com. What does it mean that this article is “ syndicated”?

Its a bit of a coup to get an article syndicated, and its certainly prestigious, as additional “proof” that the info and the author are considered far and wide authoritative and an expert in the field. So, enjoy and trust our content!! This article was syndicated for USA national redistribution.

When something is published, usually by a news source, and is made available through different venues for redistribution then it is said to be syndicated. Publications that are syndicated are usually considered of value as being from an expert, educational, new worthy or valuable for wide popular interest.

This website’s syndication included:

1) Included in the ExpertClick Press Room as a ‘press release.’ (different than a ‘news release’)

2) Included in the ‘Speaker Bureau Platform Page.’

3) Shown on the front page of ExpertClick, in rotation with other most recent posts.

4) Shown in the ‘News Release Results page.’

5) Included on optimized for searches on all my topics of expertise.

6) Shown via RSS linked from the Press Room. (A specific way news is actively distributed within the industry)

7) Shown in the full RSS feed from ExpertClick. (Another, different specific way news is actively distributed within the industry)

8) Syndicated to LexisNexis.com As of 2006, the company had the world’s largest electronic database for legal and public-records related information, distributor of academic content and expert opinion.

Posted in FACL in the media, In Lab, Murals, NFT Digital Art Consultation, Saving Public Art | Tagged , | 16 Comments

Can AI Artwork Classifications and NFT Tech Contribute To Protect Cultural Heritage?

Posted on June 15, 2023 by Scott M. Haskins
ArticiThis blog post has been syndicated at ExpertClick.com. What does it mean that this article is “ syndicated”? See explanation at the end of this blogpost

Or, even, do you think its possible that artificial intelligence’s classifying, documenting and analyzing of artwork, along with the NFT technology, contribute to preserving and protecting cultural heritage and the field of art conservation?

With the AI tech developing so quickly (due to AI help), what happened 6 months ago is “old hat” for AI developers. I was on the phone this afternoon with a client who is deep into this world on an international level. Stuff the public hasn’t seen yet, they are way past. But, there is a lot of 20 century thinking and egos that will get into the way of early adoption in the field of art authentication. Among the paranoia created by Hollywood films from the last 40 years or more, there is the fear of a “take-over” by cyborgs in our near future. Well, undoubtedly, yes, this is disruptive technology but…
 While I agree that with the ever-growing amount of digital artwork being created and the need to preserve and protect our cultural heritage, AI artwork classification is beginning to suggest some interesting applications of real value as a valuable documentation tool in the field of art conservation and restoration. But it’s too “frothy” to say that this innovative technology also helps to prevent forgery, theft, and the degradation of priceless pieces.

One of the primary benefits of AI artwork classification is its ability to analyze and categorize vast amounts of data quickly and accurately. This may be particularly useful in the art research fields that overlap with and collaborate with the profession of art conservation. But the use of AI algorithms undoubtedly will clash with the egos and old world research of art experts. Quickly and accurately identifying the artist, style, and period of a particular piece will not quickly be depended upon for valuable assets like art. There may be some future scenario, however that may allow AI researched facts and data that will assist art industry experts to make some informed decisions about its care and treatment.

I think its a given that AI art research can provide valuable insights into the history and evolution of art. By analyzing and categorizing large quantities of artwork, researchers can gain a better understanding of the various styles, techniques, and materials used by artists throughout history. This can lead to new discoveries and a deeper appreciation of the cultural heritage that these works represent.

There are some AI developments suggesting that in addition to assisting with identification, AI artwork classification can also help to prevent forgery and theft. By analyzing the unique characteristics of an artwork, such as brushstrokes, color palettes, and composition, AI algorithms can create a digital fingerprint of the piece. This fingerprint can then be compared to other known works by the same artist or from the same period, helping to determine the authenticity of the artwork in question. In cases where forgery is suspected, AI can provide valuable evidence to support the claim, potentially saving collectors and institutions from purchasing or displaying fraudulent works. But here they enthusiasts blank out on pigment analysis and history, and the value of diagnostic imaging.

Moreover, AI artwork classification can play a significant role in the recovery of stolen or lost artworks. By creating a digital database of classified artworks, law enforcement agencies and art recovery specialists can more easily identify and track down missing pieces. This not only aids in the return of stolen art but also helps to deter would-be thieves by making it more difficult for them to sell or display their ill-gotten gains.

How does NFT technology fit into this picture?

Out of the technology of the crypto currencies, one of the cryptocurrency companies, Ethereum developed a digital product that could be authenticated (enhancing a security component) and carry with it documentation. As with the crypto technology, the digital object, once created or mined, cannot be altered, changed or added to. It is a “non-fungible token” or NFT.

This NFT technology development has taken off in a completely independent direction from cryptocurrencies and is proving to be of potentially very high value within many industries that depend on accurate and authenticated record keeping thereby eliminating the element of fraud. Some experts estimate that the NFT technology will be an integral part of our society’s record keeping and communication system and by 2030 that this technology will be so integrated into all industries that it will become more important than the internet.

To some economists, therefore, the use of the NFT technology for making original digital art related collectibles will be of much less significant importance to society. Yet, given the financial instruments and currency potential, it remains of dominant interest in the headlines these days. Even though it appears that the collectible NFTs are going to be a minuscule part in the % of use of the technology in the future, the technology appears to be here to stay, not just a fad that will pass.

My granddaughter’s portrait that was made into an NFT.

In conclusion, the role of AI artwork classification in preserving and protecting our cultural heritage cannot be overstated. As technology continues to advance, the potential applications for AI in the art world will only continue to grow. By embracing these innovations, we can ensure that future generations have the opportunity to appreciate and learn from the rich history of art that has been passed down through the ages. With the help of AI, we can not only safeguard our cultural heritage but also unlock new insights and discoveries that will enrich our understanding of the art world for years to come.

Though this information is from 2018, it is still entertaining and interesting. Here is one of the most well known articles on the developing use of and capabilities utilizing art for the patient or example.

Does anyone “out there,” know anyone working on an AI database for art?

Questions about NFTs and art or art conservation?

Call Scott M. Haskins, Art Conservator

805 570 4140 faclartdoc@gmail.com

This blog post has been syndicated at ExpertClick.com. What does it mean that this article is “ syndicated”? 

Its a bit of a coup to get an article syndicated, and its certainly prestigious, as additional “proof” that the info and the author are considered far and wide authoritative and an expert in the field. So, enjoy and trust our content!! This article was syndicated for USA national redistribution.

When something is published, usually by a news source, and is made available through different venues for redistribution then it is said to be syndicated. Publications that are syndicated are usually considered of value as being from an expert, educational, new worthy or valuable for wide popular interest. See syndication page at the renowned publicity site: https://www.expertclick.com/NRWire/Releasedetails.aspx?id=296189

This website’s syndication included:

1) Included in the ExpertClick Press Room as a ‘press release.’ (different than a ‘news release’)

2) Included in the ‘Speaker Bureau Platform Page.’

3) Shown on the front page of ExpertClick, in rotation with other most recent posts.

4) Shown in the ‘News Release Results page.’

5) Included on optimized for searches on all my topics of expertise.

6) Shown via RSS linked from the Press Room. (A specific way news is actively distributed within the industry)

7) Shown in the full RSS feed from ExpertClick. (Another, different specific way news is actively distributed within the industry)

8) Syndicated to LexisNexis.com As of 2006, the company had the world’s largest electronic database for legal and public-records related information, distributor of academic content and expert opinion.

This article has been syndicated at https://www.expertclick.com/NRWire/Releasedetails.aspx?id=295542

Posted in In The News About Art Conservation, NFT Digital Art Consultation, Publications, Research and Authentication | Tagged | 2 Comments

Frenzied Excitement At NFT Brasil About Kolby Bryant Laker Championship Memorabilia, MJ Monument, Lost Van Gogh and the Lost, and Recently Found 1851 George Washington Crossing The Delaware River

Posted on June 1, 2023 by Scott M. Haskins
This blog post has been syndicated at ExpertClick.com. What does it mean that this article is “ syndicated”? See end of article for explanation.

Win one of Kolby’s Laker Championship rings!

Enthusiastic Media Response to NFT Brasil & PelXP.com’s Exhibiting Physical and NFTs of Kolby Bryant Laker Championship Memorabilia, MJ Monument, Lost Van Gogh and the Lost, and Recently Found 1851 George Washington Crossing The Delaware River

The media is going crazy about the possibility of seeing an extraordinary physical collection of Kobe Bryant, Laker championship memorabilia and the related NFTs of this memorabilia at the NFT Brasil Expo in Sao Paolo this weekend, June 2-4, 2023. It is being pitched as the largest NFT Expo ever assembled and international interest is off the charts. The excitement fire is fanned by the possibility of winning the actual physical valuable memorabilia when it is given away, in a lottery style game among those who have purchased the memorabilia’s NFTs!

Given the recent sales of multi $millions for Kolby and other BB stars memorabilia, the giveaway promises to be worth mega $millions given the numerous particularly spectacular items available in this collection. In fact, an elevated offer was made from a Saudi Arabian source to buy outright the collection but it was politely suggested that they buy the NFTs and take their chances.

PelXp.com, the only authorized agent and NFT source for this collection, has been working with Fine Art Conservation Laboratories to oversee and curate the collection in preparation for the travel and exhibition of not only the memorabilia but also the much anticipated appearance at the NFT Brasil Expo of the head of the Michael Jackson Monument by Kent Twitchell (the entire acrylic painting on polyester that has never been installed on a wall is 100 high!!), the newly discovered original 1851 Washington Crossing The Delaware and the lost Van Gogh of Yellow Roses.

All of these items have authenticated NFTs associated with them, budget priced to make them available to the general public. All of the items will be eventually given way in a lottery styled game, the winner chosen among the purchasers of the NFTs.

You could ask, how does an art conservator of paintings contribute to these processes? Fine Art Conservation Laboratories (FACL, Inc.), acts in partnership with PelXP.com as their art expert, which includes participation in finding, selecting and qualifying artwork for the NFT manufacturing-marketing process (based on quality, impact to society and a specific protocol).

If the artwork requires art conservation-restoration services, then, of course, those services are provided.

Also needed is the background check or documentation-authentication-evaluation-analysis process of verifying the artworks before they are chosen for the NFT process.

This always involves working with a number of people that are part of the art’s ownership and legal representation, management, scholarship, restorations and other details.

Also provided are significant owner-client relations, legal expert witness services, art conservation parallel services such as logistics for handling-storage-shipping, and oversee the photographic-digitization-video services as with NFT Brasil.

Valued, also, is our perspective and art world knowledge as a consultant on all other matters such as marketing copy and contracts even though those areas are not within our professional expertise.

What are NFTs and more information on PelXP’s NFTs of culturally important works of art and collectibles: https://www.fineartconservationlab.com/the-digital-world-of-nft-a-new-frontier-for-art-restoration-a-speech-to-the-international-community-of-architects/

The NFT Brasil Expo is touted as the world’s biggest NFT technology “meet and greet,” and PelXP and Fine Art Conservation Laboratories has taken to the Expo the famous masterpiece works of art/collectibles for exhibition that have NFT meta verse versions available.

https://PelXP.com is the only platform that offers PixelNFT collectibles in order for the public to own world famous, cultural symbols of the best things human with an opportunity to own the original physical artwork/collectible. Click here for more information on what are NFTs and more about how this technology is becoming omnipresent in our digital world.

PelXP.com is a disruptive, fractional ownership of ultra-valuable, authenticated one of a kind digital, socially impactful works of art and collectibles, utilizing the PixelNFT opportunity that uses proprietary technologies to immerse consumers and fans into new virtual worlds in ways never before imagined nor possible.

PelXP’s advanced NFT global platform is more efficient, transparent, secure and carbon neutral, created specifically for this concept of PixelNFT ownership. PelXP partners for fundraising with museums, political parties, governments, celebrities, leagues, players to engage and excite fans across this new virtual ecosystem and meta verse. Become the owner of a PixelNFT from the official digital version of these world famous, authenticated, original works of art and enjoy the purchase related benefits including the gaming entertainment.

PelXP.com is part of US based Eleos Endowment, Inc. (subsidiary of internationally based Bart, Ltd), and is a collaboration between 3 veteran business experts to network their contacts for locating, creating, marketing and selling NFTs of significant artwork that fit a special profile. Eleos is already known for innovation in creating and marketing the concept of the PixelNFT.

Fine Art Conservation Laboratories (FACL, Inc.) is the art expert in the partnership which includes his participation in selecting and qualifying artwork for the NFT manufacturing-marketing process, the documentation-authentication-evaluation-analysis process of the artworks in process, owner-client relations, legal expert witness services, art conservation services, logistics for handling-storage-shipping, photographic-digitization-video services. Click here for more.

Eleos Director of Marketing, Bill Bakula with an original 1851 Washington Crossing The Delaware

Mr. Bill Bakula, known as the entertainment visionary, has enjoyed a multitude of successes across a plethora of entertainment and business platforms. Most of these accomplishments have survived the test of time for more than 30 years and many have become industry standards! A great number of his triumphs have reached international acclaim. Today, his friends and peers refer to him as “The Visionary,” “The Minister of Propaganda” and “Mi Socio.”

Bill Bakula is a world renown marketing guru, recognized financial expert and technology & blockchain networker with decades of high profile projects worldwide (part ownership of SBT Media, Brazil and part of Grupo Silvio Santos).

Over the years, Mr. Bakula has created, developed and marketed a myriad of lucrative ventures with various lotteries, nutritional products, wireless carriers, mobile phone manufacturers, telecom companies, TV & radio networks—both domestically and internationally, music & entertainment promotion and management companies and so much more!

Wojciech Łysak, managing director of GG International, a b2b software and technology provider for entertainment and blockchain businesses. With Wojciech’s +20 years of experience in the entertainment industry, GG International’s biggest achievements include:

  • com – A project that connects web2 and web3 worlds, educate about NFTs and provide added value for blockchain industry.
  • The most efficient online lottery messenger platform – WhiteLotto.com
  • The fastest growing network of GG World games operators within national lotteries online – https://gg.international
  • True Random Number Generator certified by GLI.
  • ISO CERTIFICATE 250001
  • GG Token – Binance Smart Chain Utility Token empowering all GG World ecosystem – https://ggtkn.com

Wojciech Łysak also supports, promotes, and invests in projects that provide free access to education on healthy living both for mind and body, which includes projects like:

Our True Random Number Generator has been certified by Gaming Laboratories International to ensure the highest security and guarantee 100% fairness of the drawing process.

For more about NFT Brasil (in Portuguese – sorry)

click here.

Questions? Call Scott M. Haskins 805 570 4140

faclartdoc@gmail.com

 

What does it mean that this article is “ syndicated”?

Its a bit of a coup to get an article syndicated, and its certainly prestigious, as additional “proof” that the info and the author are considered far and wide authoritative and an expert in the field. So, enjoy and trust our content!! This article was syndicated for USA national redistribution.

When something is published, usually by a news source, and is made available through different venues for redistribution then it is said to be syndicated. Publications that are syndicated are usually considered of value as being from an expert, educational, new worthy or valuable for wide popular interest. See syndication page at the renowned publicity site:https://www.expertclick.com/NRWire/Releasedetails.aspx?id=295688

This website’s syndication included:

1) Included in the ExpertClick Press Room as a ‘press release.’ (different than a ‘news release’)

2) Included in the ‘Speaker Bureau Platform Page.’

3) Shown on the front page of ExpertClick, in rotation with other most recent posts.

4) Shown in the ‘News Release Results page.’

5) Included on optimized for searches on all my topics of expertise.

6) Shown via RSS linked from the Press Room. (A specific way news is actively distributed within the industry)

7) Shown in the full RSS feed from ExpertClick. (Another, different specific way news is actively distributed within the industry)

8) Syndicated to LexisNexis.com As of 2006, the company had the world’s largest electronic database for legal and public-records related information, distributor of academic content and expert opinion.

This article has been syndicated at https://www.expertclick.com/NRWire/Releasedetails.aspx?id=295688

Posted in Consultations, FACL in the media, NFT Digital Art Consultation, Travel | Tagged | 21 Comments

NFT Brasil PelXP.com and Fine Art Conservation Laboratories

Posted on May 29, 2023 by Scott M. Haskins

Fine Art Conservation Laboratories’ Art Conservators Scott M. Haskins and Virginia Panizzon this week go to São Paulo, Brazil for the NFT Brasil Expo, the world’s biggest NFT technology
“meet and greet,”  to accompany several cultural art iconic symbols and famous masterpiece works of art/collectibles for exhibition that have NFT meta verse versions available.

This blog post has been syndicated at ExpertClick.com. What does it mean that this article is “ syndicated”? See end of article for explanation.

https://PelXP.com is the only platform that offers PixelNFT collectibles in order for the public to own world famous, cultural symbols of the best things human with an opportunity to own the original physical artwork/collectible. Click here for more information on what are NFTs and more about how this technology is becoming omnipresent in our digital world.

PelXP.com is a disruptive, fractional ownership of ultra-valuable, authenticated one of a kind digital, socially impactful works of art, utilizing the PixelNFT opportunity that uses proprietary technologies to immerse consumers and fans into new virtual worlds in ways never before imagined nor possible.

PelXP’s advanced NFT global platform is more efficient, transparent, secure and carbon neutral, created specifically for this concept of PixelNFT ownership. PelXP partners with museums, political parties, governments, celebrities, leagues, players to engage and excite fans across this new virtual ecosystem and meta verse. Become the owner of a PixelNFT from the official digital version of these world famous, authenticated, original works of art and enjoy the purchase related benefits including the gaming entertainment.

US based Eleos Endowment, Inc. (subsidiary of internationally based Bart, Ltd) is a collaboration between 3 veteran business experts to network their contacts for locating, creating, marketing and selling NFTs of significant artwork that fit a special profile. Eleos is already known for innovation in creating and marketing the concept of the PixelNFT.

Scott M. Haskins and Fine Art Conservation Laboratories (FACL, Inc.) is the art expert in the partnership which includes his participation in selecting and qualifying artwork for the NFT manufacturing-marketing process, the documentation-authentication-evaluation-analysis process of the artworks in process, owner-client relations, legal expert witness services, art conservation services, logistics for handling-storage-shipping, photographic-digitization-video services. Click here for more.

Eleos Director of Marketing, Bill Bakula with an original 1851 Washington Crossing The Delaware

Mr. Bill Bakula, known as the entertainment visionary, has enjoyed a multitude of successes across a plethora of entertainment and business platforms. Most of these accomplishments have survived the test of time for more than 30 years and many have become industry standards! A great number of his triumphs have reached international acclaim. Today, his friends and peers refer to him as “The Visionary,” “The Minister of Propaganda” and “Mi Socio.”

Bill Bakula is a world renown marketing guru, recognized financial expert and technology & blockchain networker with decades of high profile projects worldwide (part ownership of SBT Media, Brazil and part of Grupo Silvio Santos).

Over the years, Mr. Bakula has created, developed and marketed a myriad of lucrative ventures with various lotteries, nutritional products, wireless carriers, mobile phone manufacturers, telecom companies, TV & radio networks—both domestically and internationally, music & entertainment promotion and management companies and so much more!

Wojciech Łysak, managing director of GG International, a b2b software and technology provider for entertainment and blockchain businesses. With Wojciech’s +20 years of experience in the entertainment industry, GG International’s biggest achievements include:

  • pelxp.com – A project that connects web2 and web3 worlds, educate about NFTs and provide added value for blockchain industry.

  • The most efficient online lottery messenger platform – WhiteLotto.com

  • The fastest growing network of GG World games operators within national lotteries online – https://gg.international

  • True Random Number Generator certified by GLI.

  • ISO CERTIFICATE 250001

  • GG Token – Binance Smart Chain Utility Token empowering all GG World ecosystem – https://ggtkn.com

Wojciech Łysak also supports, promotes, and invests in projects that provide free access to education on healthy living both for mind and body, which includes projects like:

Our True Random Number Generator has been certified by Gaming Laboratories International to ensure the highest security and guarantee 100% fairness of the drawing process.

For more about NFT Brasil (in Portuguese – sorry)

click here.

Questions? Call Scott M. Haskins 805 570 4140

faclartdoc@gmail.com


What does it mean that this article is “ syndicated”?

Its a bit of a coup to get an article syndicated, and its certainly prestigious, as additional “proof” that the info and the author are considered far and wide authoritative and an expert in the field. So, enjoy and trust our content!! This article was syndicated for USA national redistribution.

When something is published, usually by a news source, and is made available through different venues for redistribution then it is said to be syndicated. Publications that are syndicated are usually considered of value as being from an expert, educational, new worthy or valuable for wide popular interest. See syndication page at the renowned publicity site: https://www.expertclick.com/NRWire/Releasedetails.aspx?id=295542

This website’s syndication included:

1) Included in the ExpertClick Press Room as a ‘press release.’ (different than a ‘news release’)

2) Included in the ‘Speaker Bureau Platform Page.’

3) Shown on the front page of ExpertClick, in rotation with other most recent posts.

4) Shown in the ‘News Release Results page.’

5) Included on optimized for searches on all my topics of expertise.

6) Shown via RSS linked from the Press Room. (A specific way news is actively distributed within the industry)

7) Shown in the full RSS feed from ExpertClick. (Another, different specific way news is actively distributed within the industry)

8) Syndicated to LexisNexis.com As of 2006, the company had the world’s largest electronic database for legal and public-records related information, distributor of academic content and expert opinion.

This article has been syndicated at https://www.expertclick.com/NRWire/Releasedetails.aspx?id=295542

Posted in Consultations, FACL in the media, Research and Authentication, Speaking, Travel | Tagged , | 14 Comments

Whale and Dolphin Mural Coating Protection Saves Public Art

Posted on May 19, 2023 by Scott M. Haskins

You may have heard me talk about the protective anti-graffiti coating that was put onto a mural on an exterior wall at street level on Balboa Island in Newport Beach, CA with 100% access by tourists etc. and how it has survived over the last decade and a half in excellent condition, with no graffiti  that remains on it for more than a few hours because of an active neighborhood interest and action committee.

This is another case of the same thing. This mural of whales and dolphins in Santa Monica California, painted by Daniel Alonso in 1983 has been tagged many times and I can tell that some attempts of remove graffiti have damaged the paint in some areas. But the protective anti-graffiti layer that is on it now gives us a decent chance to remove the tag without damage. I just took 5 tags off this mural a Sat or two ago for the City of Santa Monica. Cuedos and compliments to Naomi Okuyama, Cultural Affairs Supervisor for the City of Santa Monic for a job well done to respond decisively to keep Santa Monica’s murals from looking like a backdrop of a movie of the zombie apocalypse.

An important thing to remember if you are wanting to protect outdoor public art is that: 1. there are 6 or 8 different kinds of spray paint that vary in difficulty to remove; 2. a lightly sprayed tag is easier to get off than: 3. a heavily applied tag; so its logical that multiple tags on top of each other are harder still to remove without damaging the artwork; 4 an anti-graffiti coating gives you more options for safe removal but it is not a magic barrier that graffiti does not stick to. 

In addition to the anti-graffiti layer, a part of the successful recipe for keeping the mural free
of defacement is a neighborhood watch and awareness and AS SOON AS a tag is noticed, someone jumps into action with a microfiber rag and a bottle of GooGone and removes the offender’s fooey. In this case, local residents called the city cultural affairs office (but the Beautification Dept or Public Works might handle this kind of thing in your community) and they called me immediately. The 5 tags we removed were on the mural for less than a week.

Any questions?  But, here’s a questions for you: If you have a mural (or other public art with paint on it) that is not in danger of being tagged, do you still need to varnish it? Here’s a quick video to show you something interesting: https://www.fineartconservationlab.com/murals/does-a-mural-need-varnish-if-graffiti-is-not-a-problem/

Call Scott M. Haskins and Virginia Panizzon, veteran art conservators, for a free consultation to discuss your situation and questions. 805 564 3438 gena.faclbusinessmanager@gmail.com

The Bolo Jesus or The Word by Kent Twitchell has not been in danger of graffiti on the Biola campus in La Mirada, CA but the mural was thoroughly coated to protect against hydrolysis: https://www.fineartconservationlab.com/murals/does-a-mural-need-varnish-if-graffiti-is-not-a-problem/

Posted in Murals, Saving Public Art | Tagged | 17 Comments