This amazing public art, painted in the South in 1953, addresses the several, then, unpopular themes of women’s rights, equality of rights for all races including access to public education, freedom of speech, land ownership. “The Contribution of Negro Women in American Life and Education” was, of course, honoring and remembering the sacrifices of those known African American women in this struggle on behalf of their communities and families. This heartfelt recognition and plea sends a message about human rights equally applicable for all women of all races in all countries.
Post World War II was a man’s society which obviously placed woman in a minority role. It wouldn’t be for 10 more years that Civil Rights would be an issue that could be improved upon. It was foresight and inspiration that the time was right to prepare for these improvements. The mural was painted in 1953 as a requirement for John Bigger’s doctoral degree from the University of Pennsylvania. In 1949 Dr. Biggers founded the art department at Texas Southern University, Houston, Texas – where more of his works are displayed. This mural was ahead of its time.
Given also that Dr. John Biggers has become one of the most important African American artists in our US history, this mural has become iconic, even an American National Treasure. It truly touches on the fight for freedom and the American way, liberty and justice for all.
Its easy to imagine, therefore, the emotional outcry when, in the aftermath of Hurricane Harvey in 2017, the building of the Blue Triangle Multi-Cultural Community Center in Houston, Texas (where the mural is housed) was discovered to have been hit hard. The beloved mural suffered extensive exposure to water and was suffering from the predictable onset of mold growth and flaking paint.
To the credit of the building’s caretakers and administrators, instead of hitting the mural with a mop in a DIY frenzy, professional mural conservation help was sought. Steve Pine, Head of Conservation from the MFA Houston became a valued consultant and angel guiding the inspections, analysis, proposal processes and ultimately he assisted the board of directors of the Blue Triangle Multi-Cultural Community Center in getting professional bids to preserve and restore the mural.
With so many needed repairs at the community center, some might question placing the “fixing the art” as a high priority… but this speaks well to the love of this mural by the community, the importance of the mural from an art history and public art point of view and the importance the federal funding agencies placed on the artwork as a high priority.
Professional art conservation treatments began in January 2019. The wall had dried out by then and had returned to its previously solid condition, a veritable miracle. Fine Art Conservation Laboratories was represented on site in Houston, Texas by Scott M. Haskins, Head of Conservation with mural conservator from Santa Fe New Mexico, Julie Stephenson to assist. The quality of these conservation treatments and the collaborative team efforts of saving of this important work of art received the prestigious Preservation Houston’s Good Brick Award.
The preservation tasks focused on stopping and setting the flaking, killing the mold and its abatement, then a cleaning helped and the mural was varnished for future protection. Minimal restorative retouching (called “inpainting”) was required. See the short video at the end of this article for a quick visual of the work.
More than just a decoration, this mural represents the community’s heritage, a legacy and teaching tool for future generations. It’s a memory trigger, to retell history and personal experiences. Its importance to the community in which it was places is huge, but it’s a visual anchor for the State of Texas and the entire nation. Indeed, this artwork is a National Treasure.
In the history of our country, no more heroic work has been done than that performed by woman. She not only organized the family but has had to lead the struggles to build a society in which that family could grow. She has been the leader in public, rural and informal education… and nothing builds society more than the education of children.
In depicting the contribution of Negro women, it was historically imperative to remember the sacrifices of those known in the struggle of personal and civic rights. The mural symbolizes the sociological, historical and educational contributions of brave women.
The right side of the mural represents the slavery out of which Harriet Tubmanleads people, symbolized by the Torch of Freedom pushing over the column, tree of life, also supported by man’s labor, embraces the balance of the mural, depicting progress in education, science, music and healthful living with Sojourner Truth as the pioneer teacher. The search for knowledge in a free society becomes available to the old and young, men and women; Phyllis Wheatley appears in the book being read by the mother with the child. All of that embraced by The Tree of Life is in contrast to the hopelessness expressed in the figures at the far right. The church on each side symbolizes the spiritual background of our society. One is also aware of the matriarchal influence of the family as well as the Madonna theme apparent on both sides.
The artist, Dr. John T. Biggers was born in Gastonia, North Carolina in 1924. He studied at Hampton University, Pennsylvania state college and University of Southern California. The mural: “The Contribution of Negro Women in American Life and Education” is located; room 15 – at The Blue Triangle Community Center – 3005 McGowan, Houston Texas, 77004 – appraised: $1.3 million. Dr. John T Biggers departed life April 2002.
Would you like to contribute
to this wonderful community center and their heartfelt efforts?
Facebook: Blue Triangle Community Center
See the article from the Houston Chronicle. Click on the link
A quick video of the mural preservation and restoration processes
Special thanks to Head of Conservation, Mr. Steve Pine of the Houston Museum of Fine Arts, for his valuable professional oversight and consultation on the project. This project was done as part of Hurricane Recovery efforts and funded by The Houston Endowment, National Endowment for the Humanities, Texas Historical Commission and the Kinder Foundation.
Mural and art preservation and restoration questions:
Call Scott M. Haskins, Virginia Panizzon, Oriana Montemurro
805 564 3438 email@example.com
Once again another brilliant restoration!
Wishing you continued success in your new location.
Murray Weisberg & Mark Armstrong
Murray, Good to hear from you and thanks for the nice comment!! Best wishes to you and Mark. Would love to see you.
Scott Haskins, you have become a national treasure.
Wow, I’m moved Kent! So nice, especially from you.
Congrats on all the great things you’ve got going!!
I saw the mural the other day and was very impressed at how beautiful it is! You have returned all the original splendor of the colors. Quite an accomplishment!
Thank you Hildy for your support and positive input!
I heard there was quite a political discussion before the project began. Obviously, all contrarians are silenced now with this excellent result.
Thank you for leaving your comment Miss Brown. It was/is a wonderful project.
This project was blessed by the extremely expert work of Scott Haskins! What luck to find him!
Thank you Danielle for your supportive comment!
The mural conservation work turned out better than we had hoped for given the impact of the ugly mold. We are so blessed to have found Scott Haskins and FACL.
Thanks Michelle for your comment and your support.
I’m so proud of the work you are doing. It must have been a shock to see something so important and beautiful so badly damaged from the hurricane!
It was a very important mural to the community and lost of people and organizations were involved in saving it.
Please, may the values be more important to people!
Well said Hillary!
Fantastic work you’re doing
I just saw the article in the Houston Chronicle. Boy, they are fast in getting the info out.
Thanks for your comment DeAnn. Yes, both the article writer and the photographer were very enthusiastic about the opportunity to report and they were on site the afternoon we started.I think they did a good job.
This looks like a mammoth job, Scott. How long is something like this going to take you?
I’ve set aside 3 weeks to complete the work, Cecile. There are two of us working on it. Its not a big job as far as hours or days go. But the artwork is sensitive and we have to be careful… so there’s no hitting it with a mop!! Of course, I’m trying to be funny… this was cleaned one Q-Tip/square inch by square inch.
Scott you are a genius at what you do! Your contribution is highly appreciated.
Thanks Rosie. We are honored to have been chosen for the work and we have loved being associated with everyone involved.