Will Shank, Maria Chatzidakis
20|21
Thursday, June 14, 2018 – 09:00 to Friday, June 15, 2018 – 17:00 | Porto, Portugal
BACKGROUND: HISTORY, THEORY, ETHICS, LEGAL ISSUES
-Belishki, Stefan, 2012. Vandalism or artistic expression: street art on the Monument
to the Soviet Army, Sofia, Bulgaria. The Decorative: Conservation and the Applied
Arts. 2012 IIC Congress, Vienna. https://www.iiconservation.org/node/3037
-Brajer Isabelle, 2017. The problem of vandalism on contemporary outdoor murals
and street art. Conference: Vandalism & Art Organized by: Stichting Restauratie
Atelier Limburg (SRAL), Bonnefanten Museum, Maastricht, The Netherlands,
CEROART, Liege, Belgium, MACCH, Maastricht, The Netherlands 7 – 8 June, 2017
Maastricht.
-Brajer, I., 2015. “Values and the Preservation of Contemporary Outdoor Murals”. In
S.nchez-Pons, M., Fuster-Lopez, L., and Shank, W., (eds.), Conservation Issues in
Modern and Contemporary Murals, Newcastle Upon Tyne: Cambridge Scholars
Publishing.
-Buglass, J. 2015. Historic graffiti. Historic England Research, Issue 2. 2 November
2015 . Available at: https://historicengland.org.uk/images-books/periodicals/historicengland-
research/historic-graffiti/
-Chatzigiannis, D. 2015. Vandalism of cultural heritage: thoughts preceding
conservation interventions. Change Over Time, 5(1):120–35.
http://cotjournal.com/vandalism-of-cultural-heritage-thoughts-precedingconservation-
interventions-dimitrios-chatzigiannis/
-Cockcroft, E.S., Weber, J.P. & Cockcroft, J.D. 1977. Toward a People’s Art: The
Contemporary Mural Movement. New York: Dutton.
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Development”. In Price, N., Kirby Talley, M. Melucco Vaccaro A., (eds.).
-Drescher, T., 1998. San Francisco Bay Area Murals: Communities Create Their Muses,
Berkeley: Pogo Press.
-English Heritage, n.d. The graffiti of the Richmond Castle http://www.englishheritage.
org.uk/visit/places/richmond-castle/richmond-graffiti
-Falser, M.,S., Lipp, W., Tomaszewski A., (eds.) 2008. Conservation and Preservation,
Interactions Between Theory and Practice, In memorial Alois Riegl (1858-1905), 2008.
Proceedings of the International Conference of the ICOMOS, Vienna. David Brown
Book Company
-Ferrell, Jeff, 1995. Urban Graffiti: Crime, Control, and Resistance. Youth & Society,
v27 n1 Sep 1995 p73-92.
-Greathouse, V., and Rainer, L., 2016. David Alfaro Siqueiros: Murals in Los Angeles A
Selected Bibliography. The Getty Conservation Institute.
https://www.getty.edu/conservation/publications_resources/pdf_publications/pdf/si
queiros_murals.pdf
Historical and Philosophical Issues in the Conservation of Cultural Heritage. Loa
Angeles: Getty Conservation Institute.
-ICOMOS, (2003). Principles for the Preservation and Conservation/Restoration of
Wall Paintings, ICOMOS. https://www.icomos.org/charters/wallpaintings_e.pdf
-Jovanovich-Kelley, M. 2014. The Apotheosis of Power: Corporate Mural Commissions
in Los Angeles During the 1930S, Public Art Dialogue, 4:1, 42-70, DOI:
10.1080/21502552.2014.878483 To link to this article:
http://dx.doi.org/10.1080/21502552.2014.878483
-Keegan, P. 2014. Graffiti in Antiquity. NewYork, Routledge.
-Lewisohn, C. 2009. Street Art: The Graffiti Revolution. London: Tate Publishing.
https://books.google.gr/books?id=mfU3AQAAIAAJ&q=street+art&dq=street+art&hl=
en&sa=X&ved=0ahUKEwig1NHGo6jbAhVOKVAKHQ0SBqEQ6AEIVDAI
-Lowinger, R., 2015. Introduction: Vandalism. Change Over Time, 5(1):2–5.
-Mulcahy L., Flessas T., 2016. Limiting Law: Art in the Street and Street in the Art. Law,
Culture and the Humanities January 19, 2016 1-23.
https://doi.org/10.1177/1743872115625951
-Mulcahy, Linda and Flessas, Tatiana (2015) Limiting law: art in the street and street in
the art. Law Culture and Humanities. ISSN 1743-8721.
http://eprints.lse.ac.uk/64564/1/limiting%20law%20art%20%20ini%20the%20street
%20street%20in%20the%20art.pdf
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-Neelon, C., 2003. Critical Terms for Graffiti Study [accessed 1/12/2017]. Available at:
http://www.graffiti.org/faq/critical_terms_sonik.html
-Pangalos, O. , Tsamantakis, Ch., 2016. The history of graffiti in Greece 1984-1994.
Futura.
-Papida S., Daskalakis S., Milona V., Pavlou M., Katevas F., 2016. ‘Graffiti as historical
evidence and as deterioration of the archaeological monuments of the Ephorate of
Antiquities of Athens. Conservation and educational programs‘. Annual conference of
the Association of Conservators of Antiquities and Works of Art (PESA), Hellenic
Ministry of Culture, Athens, Stegi Roumelioton, 3-12-2016. p.31-42.
-Pereira, S. 2005. Graffiti. San Francisco: Silverback Books.
-Riegl, A., 1996. ‘The modern cult of monuments: its essence and its
-Riegl, A., 2003. Der modern DenkmalKultus, sein Wesen, sein Entstehung, Wien:
Braumüller, 1903, French transl. La Culte Moderne des Monuments, Boulet, Paris:
L’Harmattan, 2003.
-Rychlicki T., 2008. Legal questions about illegal art. Journal of Intellectual Property
Law & Practice, 2008, Vol. 3, No. 6 393-401.
-Schachter, R. 2017. Street art is a period. PERIOD. In Graffiti and street art: reading,
writing and representing the city, Avramidis, K., Tsilimpounidi M., (eds). Abingdon,
Oxon ; New York, NY : Routledge.
https://books.google.gr/books?id=3p6uDQAAQBAJ&printsec=frontcover&dq=street+
art&hl=en&sa=X&ved=0ahUKEwig1NHGo6jbAhVOKVAKHQ0SBqEQ6AEIKDAA#v=onep
age&q=street%20art&f=false
-Schacter, R. 2013. The World Atlas of Street Art and Graffiti. Sydney: New South
Publishing.
-Shank, W., “It’s Time to Compromise Over Haring’s Mural,” February 2012, The Art
Newspaper.
-Waclawek, A..2011. Graffiti and street art. London: Thames & Hudson.
-Young A., 2014. Street Art, Public City: Law, Crime and the Urban Imagination.
Routledge. Alison Young, Judging the Image: Art, Value, Law (Abingdon: Routledge,
2005.
CONSERVATION OF PUBLIC MURALS, GRAFFITI AND STREET ART
-Amor Garcia, R.L., Soriano, P., S.nchez-Pons, M., and Osca Pons, J., 2015.
“Aproximaci.n a la Viabilidad del uso de Strappo en la Conservaci.n de Graitis”. In
S.nchez-Pons, M., Fuster-Lopez, L., and Shank, W., (eds.), Conservation Issues in
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Modern and Contemporary Murals. Newcastle upon Tyne: Cambridge Scholars, 331-
392.
-Baglioni, P., Baglioni, M., Alterini, M., Giorgi, R., Shashoua, Y., Brajer, I., 2017.
Nanofluids confined in chemical hydrogels for the selective removal of graffiti from
street art. In ICOM-CC 18th Triennial Conference Preprints, Copenhagen, 4–8
September 2017, ed. J. Bridgland, art. 0102. Paris: International Council of Museums.
http://icom-cc-publications-online.org/PublicationDetail.aspx?cid=20f34efc-b19c-
4f0d-8de5-c982613a3a3b
-BANKSY (2005). Wall and Piece. Random House, London.
-Beerkens, L., & Mager, S. (2005). Keith Haring: Art or graffiti. The restoration of Keith
Haring’s Drawing on elevator (1986) in the Art Academy Utrecht. Beiträge zur
Erhaltung von Kunst- und Kulturgut, p. 114-122.
-Beerkens, L., 2016. Side by side: old and new standards in the conservation of
modern art. A comparative study on 20 years of modern art conservation practice,
Studies in Conservation, 61:sup2, 12-16, DOI: 10.1080/00393630.2016.1155336
-Chatzidakis M., 2016. Street art conservation in Athens: Critical conservation in a
time of crisis, Studies in Conservation, 61:sup2, 17-23, DOI:
10.1080/00393630.2016.1201757
https://www.tandfonline.com/doi/abs/10.1080/00393630.2016.1201757
-Ciancabilla, L (2015). The Sight Gallery. Salvaguardia e conservazione della pittura
murale urbana contemporanea a Bologna. Bononia University Press.
-Dickens J., Rava A., Perla C. M., Picollo M. & Shank W., 2016. Keith Haring in Pisa and
Melbourne: Controversy and conservation, Studies in Conservation, 61:sup2, 29-37,
DOI: 10.1080/00393630.2016.1193691 To link to this article:
http://dx.doi.org/10.1080/00393630.2016.1193691
-Garc.a Gayo E., 2015. Street art conservation: The drift of abandonment. SAUC –
Journal V1 – N1.
https://www.urbancreativity.org/uploads/1/0/7/2/10727553/gayo_journal2015_v1_
n1.pdf
-Graves, K., Corda, K., 2016. Conserving a boundary: The conservation and
management of a Berlin Wall mural, Studies in Conservation, 61:sup2, 61-66, DOI:
10.1080/00393630.2016.1190996
https://www.tandfonline.com/doi/abs/10.1080/00393630.2016.1190996?journalCod
e=ysic20
-Grupo de Arte Urbano: Amor Garc.a, R., L., Giner Cordero, E., Garc.a Gayo, E., Gasol
Fargas, R., Luque Rodrigo, L., Mata Delgado, A., L.,. Parada Mart.n, M., Jes.s. S.nchez
Pons, M., Santab.rbara, C., Senserrich Espu.es, R., Pastor Vals, T., .beda Garc.a, M.,
I.,l. V.zquez de la Fuente, M., (eng.translation Will Shank)., 2016. Proposed code of
ethics for the conservation and restoration of street art – Propuesta de c.digo
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deontol.gico para la conservaci.n y restauraci.n de arte urbano. Monogr.fico Arte
Urbano. Conservaci.n y Restauraci.n de Intervenciones Contempor.neas. grupo de
Arte Urbano del Grupo Espa.ol del International Institute for Conservation. Pp 186-
192. http://observatoriodearteurbano.org/wordpress/wpcontent/
uploads/2017/01/Ge-conservacio%CC%81n-N%C2%BA10-Suplemeto-Arte-
Urbano.pdf
Kyi, C., Tse, N., & Khazam, S., 2016. The potential role of citizen conservation in reshaping
approaches to murals in an urban context, Studies in Conservation, 61:sup2,
98-103, DOI: 10.1080/00393630.2016.1193690 To link to this article:
https://doi.org/10.1080/00393630.2016.1193690
-Laise, K., and Rainer, L., 2009. Rescue public murals and conservator-artist
collaborations. AIC Paintings Specialty Group Postprints. Papers Presented at the
Thirty-sixth Annual Meeting of the American Institute for Conservation of Historic &
Artistic Works, Denver, Colorado April 21-24, 2008. pp. 27-31.
http://www.conservation-us.org/docs/default-source/periodicals/paintings-grouppostprints-
volume-21-2008.pdf
-Lowinger, R., 2015. Vandalism (Miami Style): Graffiti as a Tool in Preserving the
Marine Stadium. Change Over Time, 5(1):136–151 Spring 2015
| 10.1353/cot.2015.0002 http://cotjournal.com/vandalism-miami-style-graffiti-as-atool-
in-preserving-the-marine-stadium-rosa-lowinger/
-Lowinger, R., and Morse, A.,, 2008. The conservation and relocation of a
monumental petrachrome mural: Helen Lundeberg’s The History of Transportation.
Conservation and Access: Contributions to the 2008 IIC Congress, London.
-MacDonald-Korth, E., Rainer, L., & Learner, T., 2015. “Research into anti-graffiti
coatings for acrylic murals: preliminary testing and evaluation,” In S.nchez-Pons, M.,
Fuster-Lopez, L., and Shank, W., (eds.), Conservation Issues in Modern and
Contemporary Murals, Newcastle Upon Tyne: Cambridge Scholars Publishing.
-Rainer L., 2003. Conservation of outdoor contemporary murals. Getty Conservation
Institute Newsletter, Volume 18, Number 2 2003 The J. Paul Getty Trust
http://www.getty.edu/conservation/publications/newsletters/18_2/feature .html
-Rainer, L., H., and Luann M.,, eds. 2013. The Siqueiros Legacy: Challenges of
Conserving the Artist’s Monumental Murals: Proceedings of a Symposium Organized
by the Getty Conservation Institute, October 16-17, 2012, the Getty Center, Los
Angeles. Los Angeles: Getty Conservation Institute.
http://hdl.handle.net/10020/gci_pubs/siqueiros_legacy
http://www.getty.edu/conservation/publications_resources/pdf_publications/pdf/siq
ueiros_legacy_rev_feb14.pdf
-Rainer, L., 2012. Conservation of Am.rica Tropical Presented at The Siqueiros Legacy:
Challenges of Conserving the Artist’s Monumental Murals
http://www.getty.edu/conservation/publications_resources/pdf_publications/pdf/his
torical_context.pdf
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-Rainer, Leslie. 2011. “América Tropical: Cultural identity, controversy and
conservation of a mural.” In ICOM-CC 16th Triennial Conference Lisbon 19-23
September 2011: Preprints. ed. Janet Bridgland. Lisbon: Crit.rio–Produ..o Grafica,
Lda. http://icom-cc-publications-online.org/PublicationDetail.aspx?cid=2418ddf2-
83be-43cf-98d8-88b4c074b437
-Rescue Public Murals, Mural Creation Best Practices http://www.conservationus.
org/docs/default-source/resource-guides/mural-creation-best-practices-fulldocument.
pdf?sfvrsn=2
-S.nchez-Pons, M., Fuster-Lopez, L., and Shank, W., eds., 2015. Conservation Issues in
Modern and Contemporary Murals, Newcastle Upon Tyne: Cambridge Scholars
Publishing.
-Shank W. and Rava A., 2018. The complex preservation of Keith Haring’s 1987 mural
at the Hopital Necker des Enfants Malades, Paris. News in Conservation, Issue 65 April
2018, p7-11.
https://www.iiconservation.org/system/files/publications/journal/2018/b2018_2.pdf
-Shank, W. and Hess Norris, D., 2008. Giving contemporary murals a longer life: the
challenges for muralists and conservators. In: D. Saunders, J.H. Townsend & S.
Woodcock, eds., Conservation and Access. Contributions to the 2008 IIC Congress,
London (2008 pp. 12–6.).
-Shank,W., and Drescher, T., 2016. Breaking the rules: A new life for Rescue Public
Murals, Studies in Conservation, 61:sup2, 203-207, DOI:
10.1080/00393630.2016.1188249 To link to this article:
https://doi.org/10.1080/00393630.2016.1188249
-Vente Caritative pour la Restauration de la Peinture Murale de KEITH HARING de
l’Hopital Necker-Enfants Malades, 2013. Sotheby’s auction catalog. Paris: Sotheby’s.
-Waclawek, A. (2011). Graiti and Street Art. London, Thames and Hudson.
ORGANISATIONS, JOURNALS
-MURAL Street Art Conservation, an online publication of the Spanish Group of the IIC
(GEIIC). http://observatoriodearteurbano.org/wordpress/muralstreetartconservation
-Rescue Public Murals website at the American Institute for Conservation
https://www.conservation-us.org/our-organizations/foundation-
(faic)/initiatives/heritage-preservation/rescue-public-murals#.WwvpHUiFPIU
–STreet Art COnservators (st.a.co.), https://elgr.
facebook.com/staco.street.art.conservators
http://streetartconservators.blogspot.gr/
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-VoCA (Voices in Contemporary Art). http://www.voca.network
THE GETTY SYMPOSIUM (2003) Mural Painting and Conservation in the Americas
-GCI, 2003. Mural Painting and Conservation in the Americas. Los Angeles, CA, May
16-17.
http://www.getty.edu/conservation/publications_resources/public_programs/confer
ences/mural.html
-Drescher, T. W., 2003. “Priorities in Conserving Community Murals.” Los Angeles: The
Getty Conservation Institute. Paper presented at the Getty symposium “Mural
Painting and Conservation in the Americas,” Los Angeles, CA, May 16-17.
https://www.getty.edu/conservation/publications_resources/pdf_publications/pdf/d
rescher.pdf
-Garfinkle, A., 2003. “The Legal and Ethical Consideration of Mural Conservation:
Issues and Debates.” Los Angeles: The Getty Conservation Institute. Paper presented
at the Getty symposium “Mural Painting and Conservation in the Americas,” Los
Angeles, CA, May 16-17.
https://www.getty.edu/conservation/publications_resources/pdf_publications/pdf/g
arfinkle.pdf
-Golden, Mark. 2003.”Mural Paints: Current and Future Formulations.” Los Angeles:
The Getty Conservation Institute. Paper presented at the Getty symposium “Mural
Painting and Conservation in the Americas,” Los Angeles, CA, May 16-17.
https://www.getty.edu/conservation/publications_resources/pdf_publications/pdf/g
olden.pdf
-Pitman Weber, J., 2003. “Politics and Practice of Community Public Art: Whose
Murals Get Saved?”. Los Angeles: The Getty Conservation Institute. Paper presented
at the Getty symposium “Mural Painting and Conservation in the Americas,” Los
Angeles, CA, May 16-17.
http://www.getty.edu/conservation/publications_resources/pdf_publications/pdf/we
ber.pdf
-Pounds, J., 2003. “The Gift of Absence: Mural Restoration in a Policy Void”. Los
Angeles: The Getty Conservation Institute. Paper presented at the Getty symposium
“Mural Painting and Conservation in the Americas,” Los Angeles, CA, May 16-
17. http://www.getty.edu/conservation/publications_resources/pdf_publications/pdf
/pounds.pdf
-Rainer, L., 2003. “The Conservation of Outdoor Contemporary Murals”. Los Angeles:
The Getty Conservation Institute. Paper presented at the Getty symposium “Mural
Painting and Conservation in the Americas,” Los Angeles, CA, May 16-17. (reprinted
in Conservation Vol.18,
No.2) http://www.getty.edu/conservation/publications_resources/newsletters/18_2/
feature.html
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-Shank, Will. 2003. Before the Paint Hits the Wall. Paper presented at the Getty
symposium “Mural Painting and Conservation in the Americas,” Los Angeles, CA, May
16-17.
https://www.getty.edu/conservation/publications_resources/pdf_publications/pdf/s
hank.pdf
CONSERVATION INTERVENTIONS: CLEANING
-Carlsson, B., Hop Louie, H. 2011. Street Art Cookbook: a Guide to Techniques and
Materials, Dokument Press.
-Chiantore Oscar, Scalarone Dominique & Learner Tom 2003.Characterization of
Artists’ Acrylic Emulsion Paints, International Journal of Polymer Analysis and
Characterization, 8:1, 67-82, DOI:
http://www.tate.org.uk/research/publications/tate-papers/02/conservationconcerns-
for-acrylic-emulsion-paints-literature-review
-Colombini, A. & Kaifas, D., 2010. Characterization of Some Orange And Yellow
Organic and Fluorescent Pigments by Raman Spectroscopy. E-Preservation Science.
-Germinario, G., van der Werf,I.,D., Sabbatini, L.,2016. Chemical characterisation of
spray paints by a multi-analytical (Py/GC–MS, FTIR, μ-Raman) approach.
Microchemical Journal,Volume 124,2016,Pages 929-939,ISSN 0026-
265X,https://doi.org/10.1016/j.microc.2015.04.016.
-Gutierrez, J., 1956. From Fresco to Plastics: New Materials for Mural and Easel
Paintings, Ottawa National Gallery of Canada.
-Jablonski E., Learner T., Hayes J. and Golden M., 2004. Conservation Concerns for
Acrylic Emulsion Paints: A Literature Review. Tate Papers no.2 Automn 2004.
http://www.tate.org.uk/research/publications/tate-papers/02/conservationconcerns-
for-acrylic-emulsion-paints-literature-review
-Kokkori, M., K. Sutherland, J. Salvant, F. Casadio, J. Barten, and C. Stringari. 2017.
“More than a pure technical sensation”: Twentieth-century metallic paints, their
formulations, and use in paintings. In ICOM-CC 18th Triennial Conference Preprints,
Copenhagen, 4–8 September 2017, ed. J. Bridgland, art. 0102. Paris: International
Council of Museums. http://icom-cc-publicationsonline.
org/PublicationDetail.aspx?cid=4082f0dd-d737-42a2-83f2-f3e086e39164
-La Nasa, J., Orsini, S., Degano, B., Rava, A., Modugno, F., Colombini, M.P. 2016. “A
chemical study of organic materials in three murals by Keith Haring: a comparison of
painting tecniques”, Microchemical journal, vol. 124: 940-948.
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-Learner T. J. S., Smithen P., Krueger J. W., and Schilling M. R.(eds), 2008. Modern
Paints Uncovered: Proceedings from the Modern Paints Uncovered Symposium, May
16–19, 2006, Tate Modern, London. Symposium. Organized by the Getty Conservation
Institute,. Tate, and the National Gallery of Art and the Tate Modern. Getty
Publications.
https://www.getty.edu/conservation/publications_resources/pdf_publications/pdf/m
odern_paints_uncovered_vl_opt.pdf
-Learner T., 2000. A review of synthetic binding media in twentieth century paints.
The Conservator, 24:96-103.
https://www.tandfonline.com/doi/abs/10.1080/01410096.2000.9995156
-Learner T., Chiantore O., and Scalarone D., 2002. Ageing studies of acrylic emulsion
paints. Preprints of the 13th Triennial meeting of the ICOM Committee for
Conservation. Rio de Janeiro, pp911-919. London: James and James.
-Learner T., Schilling M., and de la Rie R.. 2002b. Modern Paints A New Collaborative
Research Project Conservation. The Getty Conservation Institute Newsletter Vol 17
n.3 2002 p. 18-20.
http://www.getty.edu/conservation/publications_resources/newsletters/17_3/news
_in_cons1.html
-Learner, T., 2001. The analysis of synthetic paints by pyrolysis-gas chromatography–
mass spectrometry (PyGCMS), Studies in Conservation 46 225–241.
-Learner, Thomas J.S.(2005) Analysis of modern paint, Getty Conservation Institute.
-Learner, Thomas J.S.(2005) Modern paints. Sackler NAS Colloquium. Scientific
Examination of Art Modern Techniques in Conservation and Analysis. P. 137-151.
https://www.nap.edu/read/11413/chapter/11
– Schilling Michael, Lake Susan, Steele Elizabeth, and Quillen Lomax Suzanne.
2002.Modern Science and Contemporary Paintings Preserving an Evolving Legacy. The
Getty Conservation Institute Newsletter Vol 17 n.3 2002.
http://www.getty.edu/conservation/publications_resources/newsletters/17_3/featur
e.html
MATERIALS of PUBLIC MURALS, STREET ART and GRAFFITI
-Melchiorre Di Crescenzo, M., Zendri, E., S.nchez-Pons, M., Fuster-L.pez, L., Yus.-
Marco,D.,J., 2014.The use of waterborne paints in contemporary murals: Comparing
the stability of vinyl, acrylic and styrene-acrylic formulations to outdoor weathering
conditions. Polymer Degradation and Stability, Volume 107,2014,Pages 285-293,ISSN
0141-3910,https://doi.org/10.1016/j.polymdegradstab.2013.12.034
-Ormsby B., Phenix A., .Cleaning Acrylic Emulsion Paintings: Conservation
Perspectives., The GCI Newsletter, Fall 2009, vol. 24 nÅã2, p. 13-15.
http://www.getty.edu/conservation/publications/newsletters/24_2/cleaning.html
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-Ormsby Bronwyn & Learner Tom (2013) Artists’ acrylic emulsion paints: materials,
meaning and conservation treatment options, AICCM Bulletin, 34:1, 57-65, DOI:
10.1179/ bac.2013.34.1.007 To link to this article:
https://doi.org/10.1179/bac.2013.34.1.007
-Ormsby, B. and A. Phenix. (2009), “Cleaning Acrylic Emulsion Paintings”.
Conservation Perspectives: The GCI Newsletter 24.2: 13-15.
http://www.getty.edu/conservation/publications_resources/newsletters/24_2/cleani
ng.html
-Ormsby, B., Learner, T., (2016). Recent developments in the cleaning of modern
paints. Conserving Modern Paints. Fall 2016. The GCI Newsletter.
http://www.getty.edu/conservation/publications_resources/newsletters/31_2/featur
e.htmlhttps://www.getty.edu/conservation/publications_resources/newsletters/pdf/
v31n2.pdf
-Piqu., F., Michele R. D., Parker, D. A. Scott, M. Schilling, and Saavedra P.rez M.,
1995. “Original technique of the mural América Tropical by David Alfaro Siqueiros.”
In Materials Issues in Art and Archaeology IV: Symposium Held May 16-21, 1994,
Cancun, Mexico. ed. James R. Druzik, Jos. Luis Galv.n Madrid, I.C. Freestone and
George Segan Wheeler. 365-71. Materials Research Society symposium proceedings,
v. 352. Warrendale, Pennsylvania: Materials Research Society.
-Ploeger R., Murray A., Hesp S., Scalarone D., .An investigation of the chemical
changes of artists’ acrylic paint films when exposed to water . In Materials issues in
art and archaeology VII, symposium held November 30 – December 3, 2004, Boston,
Massachusetts, USA, Warrendale, Pa, Materials research society, 2005, p. 49-56.
-Ploeger, R. Scalarone, D. Chiantore, O., 2008. The characterization of commercial
artists’ alkyd paints, Journal of Cultural Heritage 9 412–419.
-Rava, A., Shank, W., Colombini , P., Chiantore , O., Picollo, M., Palleschi V., 2015.
“Keith Haring in Pisa: cleaning and protection of an acrylic painting in an outdoor
environment” In S.nchez-Pons, M., Fuster-Lopez, L., and Shank, W., (eds.),
Conservation issues in modern and contemporary murals. Londres: Cambridge
Scholars Publishers, 184-208.
-Silva, M., Carb., M.D., L.pez, L.F., Mecklenburg, M., Martin-Rey, S., 2010.
Identification of additives in poly(vinylacetate) artist’s paints using PY-GC-MS,
Analytical and Bioanalytical Chemistry 397 357–367. DOI:10.1007/s00216-010-3505-2
-Siqueiros David Alfaro, 1979 Como se pinta un mural. Edition dell Taller Siqueiros de
Cuarnavaca.(first edition 1951).
https://archive.org/details/ComoSePintaUnMuralByDavidAlfaroSiqueiros1
-Soltan, Mohamed Abdeldayem Ahmed (2015) An investigation into the history of the
airbrush and the impact of the conservation treatment of airbrushed canvas
paintings. Doctoral thesis, Northumbria University.
http://nrl.northumbria.ac.uk/27304/1/soltan.mohamed_phd.pdf
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-Standeven, H. 2011. House paints, 1900-1960 History and use. Los .ngeles: Getty
Conservation Institute Publications.
-Standeven, H. L. 2013. Oil-Based House Paints from 1900 to 1960: An Examination of
Their History and Development, with Particular Reference to Ripolin Enamels. Journal
of the American Institute for Conservation, 52:3, 127-139.
-Stavroudis, C. (2009), “Sorting Out Surfactants”. Newsletter (Western Association for
Art Conservation) 31(1): 18-21. http://cool.conservationus.
org/waac/wn/wn31/wn31-1/wn31-105.pdf
-Stavroudis, C. and T. Doherty. (2007), “A Novel Approach to Cleaning II: Extending
the: modular cleaning program to solvent gels and free solvents, part 1”. Newsletter
(Western Association for Art Conservation) 29(3): 9-15. http://cool.conservationus.
org/waac/wn/wn29/wn29-3/wn29-304.pdf Stavroudis, C. and T. Doherty. (2010),
“The Modular Cleaning Program in Practice: Application to Acrylic Paintings”.
Proceedings from Cleaning 2012, New Insights into the Cleaning of Paintings.
-Stavroudis, C., T. Doherty, and R. Wolbers. (2005), “A New Approach to Cleaning I:
Using mixtures of concentrated stock solutions and a database to arrive at an optimal
aqueous cleaning system”. Newsletter (Western Association for Art Conservation)
27(2): 17-28. http://cool.conservation-us.org/waac/wn/wn27/wn27-2/wn27-205.pdf
-Van Der Werf, I., Germinario, G., Palmisano, F., Sabbatini, L. 2011. “Characterisation
of permanent markers by pyrolysis gas chromatography-mass spectrometry”.
Analytical and Bioanalalytical Chemistry, 339: 3483-3490. DOI: 10.1007/s00216-011-
4714-z
-Wolbers, R., A. Norbutus, and A. Lagalante (2013), Cleaning of Acrylic Emulsion
Paints: Preliminary Extractive Studies with Two Commercial Paint Systems. In New
insights into the cleaning of paintings: proceedings from the Cleaning 2010
International Conference, Universidad Politecnica de Valencia and Museum
Conservation Institute, edited by M. F. Mecklenburg, A. E. Charola and R. J. Koestler,
147-157. http://opensi.si.edu/index.php/smithsonian/catalog/view/28/10/263-
1https://pdfs.semanticscholar.org/12d8/83519a7f32e840c40fb381f4790bced1b6c3.p
df
DOCUMENTATION of PUBLIC MURALS and STREET ART
-Cobbe, R.A.C., (1976). Examination of modern paintings: technical information
received from artists. Studies in conservation 21 pp 25-33
-Masilamani R., 2008. Documenting Illegal Art: Collaborative Software, Online
Environments and New York City’s 1970s and 1980s Graffiti Art Movement. Art
Documentation: Journal of the Art Libraries Society of North America Vol. 27, No. 2
(Fall 2008), pp. 4-14.
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-The Canadian Conservation Institute (CCI), 2017. Outdoor Mural Condition Report
form https://www.canada.ca/en/conservation-institute/services/care-objects/fineart/
conservation-guidelines-outdoor-murals/condition-report-inspectionrecord/
outdoor-mural-condition-report-form.html
VIDEOS and FILMS
-Aubert, E. (director), 1990. Drawing the Line: A Portrait of Keith Haring, 1990.
Documentary film. [DVD] West Long Branch, New Jersey: Kultur International Films,
Inc.
-Dimetriou Elias, 2018. St.a.co. Documentary film for “close up”, ERT2
https://vimeo.com/257458646 (trailer)
-Gounezos George , 2014. Alive In The Concrete (English Subtitles) Greek Graffiti
Documentary https://vimeo.com/115711129
-Gounezos George , 2015. WD Mural Exhibition, Late Night Tale.
-Mexi, K., Mandelenis, G., Vathi, N., Delimitrou, G., Taxidi, G., 2015. Documentary for
Staco team. Department of Cultural Technology and Communication University of
the Aegean and Vouli TV chanel. https://www.youtube.com/watch?v=61fdHG6WUjo
and https://vimeo.com/256053996
-Piazzese Giovanni, Greek street artists bring back color to Athens. Deutsche
Welle. http://www.dw.com/en/greek-street-artists-bring-back-color-to-athens/av-
38677826
-Pottakis, N., 2017. Dialogues, Documentary, ERT 3.
-Shank W. A heritage to be protected by https://vimeo.com/99320842
-Shank W.Interview about the conservation of the TOWER of Keith Haring at L’h.pital
Necker des Enfants Malades https://www.youtube.com/watch?v=mVSLZHaQLsU
-Soldani A. (direction), Burchielli R. (production), 1990. Keith Haring Progetto Italia,
Documentary film. [DVD] Pisa: Comune di Pisa & Ondavideo.
