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Mural Restoration Expert Appointed by the City of Los Angeles


Public Art Division –

City of Los Angeles Art Collection Appoints

Fine Art Conservation Laboratories

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Posted in Consultations, Murals | Leave a comment

Professional Associate of AIC (American Institute for the Conservation of Historic and Artistic Works)


 

In Chicago at the Hyatt Regency for the AIC meeting 2017

In Chicago at the Hyatt Regency for the AIC meeting 2017

I’ve just arrived in Chicago for the week of the 2017 annual meeting of the American Institute for the Conservation of Historic and Artistic Works (AIC). See the video Art Walk-About tour from this visit to Chicago at the end of this page. I’ve been a participating, active member since 1978. I’m responsible for the sub-group meeting of the art conservators in private practice.

As a member of AIC, my private painting conservation business supports and practices the professional Code of Ethics and Standards of Practice as we protect, preserve and restore paintings and other fine art.

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Posted in Professional activities | Tagged , | Leave a comment

Art Conservation Painting Restoration Client Testimonials from Orange County, Los Angeles, Santa Barbara, Las Vegas, Salt Lake City


Nothing is as powerful as a spontaneous testimonial from a satisfied client. But can you trust the word or opinion of another person? Perhaps they don’t know the difference between a stretcher bar and a strainer? But, WHAT IF you had LOTS OF TESTIMONIALS, from collectors, dealers, corporate collections, government officials, auction houses, appraisers, etc that all gave the same good report? Put them all together and would that give you the confidence to at least call and ask some questions?

You see, there’s more to choosing a painting conservator than knowing if they can match paint colors. What if he/she is an excellent craftsman but couldn’t organize there way out of a shoe box? Or what if they can’t manage cash flow in their business? Or what if they put people like you as their last priority?

How long would it take you to call 10,20, 30 people to ask for a referral? Do you have time? On this page are some video testimonials and more links for the answers you are looking for. After all, you just want some assurance before you make the call yourself to ask your own questions, right? Note in this video that there are customers from Los Angeles, Orange County, Santa Barbara, Las Vegas, Salt Lake City… all places we do on location estimates and evaluations and also offer pick up and delivery on a regular basis.

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Posted in Consulation, Disaster/Emergency Response, Insurance, Painting on canvas, Research and Authentication, Travel | Tagged | Leave a comment

Smoke Damage on Artwork – We work as a sub to disaster response companies


Liability during clean up is a big issue with smoke damage on paintings and other artwork-collectible objects. I mean, we are specialized in treating paintings and all our professional art restoration services center around doing this correctly. How can an unprofessional person, hitting things with a sponge, do the same kind of quality work? Here’s an example:

We are located in sunny Southern California and even on this winter day, it was close to 70 degrees. When AIG insurance company and Elite-Restoration Inc. (disaster response company) agreed to fly me to Sun Valley, Idaho to inspect and estimate 40-60 smoke damaged items… I was unprepared psychologically for the -10 degree temperature when I walked out of my hotel in the morning. But traveling to help people get the right quality professional help is part our business.Scott M. Haskins consulting on smoke damage artwork in Ketchum, Idaho

For the on-site inspection I used the inventory (with a photo) that Elite-Restoration already had in hand and added to it my observations. When we opened up the storage facility, it stunk to high heaven! I reviewed each of the 40 framed items suggesting the ways that the smell could be permanently eliminated. Also of interest to the owners was a list of “pre-existing conditions” that could be worked on while they were being cleaned but for which AIG would not be responsible for paying but would help to “dial-in” the items to their best condition.

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People ask me, “Do I still do the painting restoration work?”


By Scott M. Haskins, Head of ConservationArt conservation forensic investigation

I’m asked fairly often, since I travel so much, do I ever do the actual art conservation work on paintings. The short answer is:

  1. If you count the treatments we do on murals then, yes, I do more sq. ft of painting restoration work than anyone in the lab. Click here to see an example.
  2. While in the lab, I am involved on practically every painting’s evaluation, decision making and progress. I guide, trouble shoot and give my opinion… which sometimes even gets considered!
  3. There are three of us qualified art conservators that think and work all on the same mental wave length. Its very synergistic. See this fun video about team work.

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Posted in Consultations | Tagged | 20 Comments

Analysis of art can reveal hidden details important to authentication and value


Most art collector’s dream of discovering a lost masterpiece and I have had some “wonderful” stories and situations come through my front door. While many are expecting to hit the lottery (see my episode on Keeping Up With The Kardashians on the Media Page), many are digging for hidden details that uncover lost stories from the past.

Infrared technology often is the tool of choice but x-radiography is also used, mostly in older paintings. This short video demonstrates that no technology is the magic bullet in discovering the lost details but that it takes knowledge and using, sometimes, all the tools available.

Ultraviolet visible fluorescence was used in this case and the celebrity owner (Balky from Perfect Strangers) closes the video with a short testimonial.

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Posted in Research and Authentication | Tagged | Leave a comment

Historic Oil Painting of Russian Royalty Slashed and Painted Over But Not Forgotten


Over the decades we have, in our art conservation and restoration laboratory repaired rips (bayonet slashing) on portraits of Russian royal family members, discovered forgotten Russian master artists and worked on an important portrait by Ilya Rapin… but we have yet to find a portrait of a Tsar! Take a quick look at this story:

Painted Out Russian Royalty Rediscovered During Art Restoration

Art conservators unveiled this week a recently cleaned and re-discovered portrait of the last Tsar of Russia, after it was cleaned of over-paint that obliterated the portrait on purpose.

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Posted in Painting on canvas | Tagged | Leave a comment

Art Conservation UV Analysis of Modern Painting Before Sale At Auction


Standard operating procedure and due diligence for art collectors, curators etc should be the inspection of the artwork , BEFORE ACQUISITION, with a black light (also known as a UV light). But contemporary and modern art often pose weird and different situations that may require a second opinion. Hence, the reason why I was invited to visit Bonhams and Butterfields Auction House the other day to look at a painting:

Bonhams and Butterfields is intent on having all aspects of condition figured out for potential clients and consults with experts in art research, art conservation and painting restoration, art appraisals and art dealers when appropriate. This video illustrates their level of trust in these experts to give a solid, trustworthy second opinion.

For other methods of analyzing art (and doing due diligence) see this YouTube playlist: https://www.youtube.com/playlist?list=PLLxFeD9MHd7RZkd3i1YQXBRiHdCQb7qS7

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Posted in Consultations, Research and Authentication | Tagged | 19 Comments

Family Heirloom Painting Restoration in Salt Lake City – Testimonial


“What is a painting worth” is a subject I’ve written on several times; there’s financial value, emotional value and historical value. It’s doubly nice when your emotional ties or historical connection, like with a family heirloom, is also a really nice work of art. Affecting value, is the condition and the needed oil painting restoration (painting conservation, art conservation, art restoration) like rip repair, cleaning a painting, flaking paint repair.

This family heirloom and collectible painting, inherited from the owner’s grandmother was painted in the 1890s and was still gorgeous but suffering badly from all three of the above problems. Here’s a photo of the flaking paint that was caused by the canvas getting wet, dripped across the back probably unprotected in storage.

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Posted in In Lab, Painting on canvas | Tagged | 26 Comments

19th c. Oil Painting Restoration Caveats and Tips for Vintage Art Collectors – Maritime Painting Exam Notes


It may surprise you that many of the paintings of ships that highlight a particular ship with its flags and name clearly visible are actually a portrait of the ship. Portraits of ships were very popular at the middle and the end of the 1800s. It is also interesting to know that many of these paintings of ships hung in the cabins of the ship in the painting. Therefore some of these paintings have had serious time at sea.

It is very common, therefore, that maritime paintings have been in very bad conditions and circumstances. Bouncing around the ocean along with the ship is only part of the problem. Of course high humidity and actual water are serious problems. And you can imagine as things swing around the cabin in high seas how easy it is that these paintings on canvas get punctured and ripped. If you don’t already know, 19th century oil paintings (of all kinds of paintings from all countries) have extremely brittle fabric as they age… and rip easily.

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Posted in Painting on canvas | Tagged , | 35 Comments


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