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Category Archives: Disaster/Emergency Response

Rip Repair and Saving Historical Painting of Bishop Ranch Santa Barbara (Goleta) by Henry Chapman Ford

Historic Oil Painting from 1875 of Bishop Ranch- Glen Annie in Goleta, CA by Henry Chapman Ford saved from destruction
Scott M. Haskins, Painting Conservator
 

Posted in Disaster/Emergency Response, Painting on canvas | Tagged , | 16 Comments

Public Art Protection Varnishing Murals and Oil Paintings for Future Maintenance

A common concern for public art on display is protection against accidents, even vandalism, and to find a way to make the often valuable artwork safe for maintenance. Seismic safety, especially along the Wasatch Front in Utah, both for the … Continue reading

Posted in Disaster/Emergency Response, Murals | Tagged , | Leave a comment

Art Conservation Painting Restoration Client Testimonials from Orange County, Los Angeles, Santa Barbara, Las Vegas, Salt Lake City

Nothing is as powerful as a spontaneous testimonial from a satisfied client. But can you trust the word or opinion of another person? Perhaps they don’t know the difference between a stretcher bar and a strainer? But, WHAT IF you … Continue reading

Posted in Consulation, Disaster/Emergency Response, Insurance, Painting on canvas, Research and Authentication, Travel | Tagged | Leave a comment

Professional Art Restoration Painting Conservation Door to Door Service

“Consultation at home or office at no charge?!?!”
“You pick up and deliver?”

Posted in Art on Paper, Disaster/Emergency Response, Expert Witness/Legal Testimony, Historic Buildings - Construction Sites, Murals, Painting on canvas, Travel | Tagged | 1 Comment

ShakeOut in California is a Reminder for Art Collectors! 5 Tips and Earthquake Supplies

By Guest Blogger Chelsea Padgett
Are you an art collector? Or even just have antique and collectible valuables. Here’s major help for you!
If you live on the West Coast, chances are you have experienced at least a tremor or a small … Continue reading

Posted in Disaster/Emergency Response | Tagged , , | 14 Comments


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