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Conservação de Arte – Painting Restoration

If you have studied art, collect paintings, visit museums, love period films, favor historic preservation of old buildings and are interested in restoration and preserving the past… Você vai encontrar esses PRÓXIMOS DOIS VIDEOS MAIS INTERESSANTE!

Aqui está uma turnê de insider rápida de nosso laboratório de conservação pintura.

We are also well known for Mural Conservation/RestorationOn-location jobs even outside of the US. Here is a quick super-interesting video introduction to our capabilities

We often provide the following services:

Analysis for condition/authenticity

Art related insurance evaluationsdamage assessments

Expert witness/legal testimony

Art collection consultations where extensive experience is required

Please click on the THUMBS UP to show us your support, NOW!

We do work for people in the LA Area, Palm Springs Area, Carmel/Monterey, OC-Laguna Beach, Santa Barbara Area, NV, UT, AZ, TX. See some of our testimonials! Click here.

Testimonials include both short videos and written for:

Art conservation services

Expert witness, legal testimony and consultation work

Here’s quick testimonial regarding helping with insurance matters/claims

Go to www.fineartconservationlab.com/testimonials

One of the techniques used by conservators to evaluate art and determine previous restorations is a UV black light. Learn about a new UV light, NEW INFO!

Ir a www.fineartconservationlab.com/uv-blacklight


See other links for more info in the Navigation Bar.


Call us at 805 564 3438 office

or 805 570 4140 Scott’s mobileafter hours and on weekends OK

email Scott Haskins at

faclartdoc@gmail.com


Seja sociável, Ação!

74 As respostas a Casa

  1. Gerlinde Kugler diz:

    Hello,
    I am an artist in Ireland who painted a mural with children at a local school. I used acrylic paint, but there seems to be moisture coming from the back of the wall. This makes it start to flake in certain areas.
    There is also a problem where the kids kick balls against the wall and it damages it in certain areas. I have repaired the mural 3 times now over the past 9 anos, and sealed it with polybond, which is a medium viscosity homopolymer emulsion of Vinyl Acetate. Contudo, this does not seem to last very long.
    If you could email me any information or recommendations as to which varnish or finish would work well I would greatly appreciate it!
    I hope to hear from you soon,
    Kind Regards,
    Gerlinde
    Gerlinde Kugler´s passado [tipo] ..Gerlinde » Home

  2. Scott M. Haskins diz:

    Hi Martha, It may be something that can be dealt with but I would need to talk to you about it. Can you call our office or send me an email with your number and I’ll call you. Thanks for leaving you comment. TTYS Scott 805 564 3438 faclartdoc@gmail.com

  3. Martha Potter Kim diz:

    My daughter has one of the lithos that the Giclee Gallery in London ran off of Picasso’s portrait of Francoise Gilot. They used not only the original plate but the original press and paper stock as well. Unfortunately while she was away the roof leaked above it, so now it is stained. Is this type of damage the kind of thing you handle?

  4. Scott M. Haskins diz:

    Frayda,
    We are located in Santa Barbara, CA. We do home or office visits as far South as San Diego, up through Las Vegas to SLC and North (in CA) to Monterey. We do pick up and delivery in all these places. Call to discuss? 805 564 3438

  5. Frayda Salkin diz:

    I have two small oil paintings that need restoration. One is dated 1847 which has a small cut in the canvas and needs cleaning. The other needs restoration and has a couple of old, poorly done, repairs that look very old. The frame also needs repair. I have all the pieces that have come off. I’d be happy to bring the paintings to you in order to get your opinion. Where are you located? Thanks so much.

  6. Patricia Holt diz:

    I called Scott with a question about paper sticking to some of our paintings that had been wrapped and if I should send the paintings to him to remove the paper so we would not damage the paintings. He spent quite a bit of time with me on the phone detailing how we could try to get the paper off ourselves in a way that would be safe for the paintings and of course save us the cost of sending the paintings to him and the cost of his doing this for us. He was entirely professional, forthcoming, and generous with his time and knowledge, even though this conversation would not result in any payments to him. We will use him for any restoration work we may need to do with paintings in the future because of his professionalism and generosity.

  7. Scott M. Haskins diz:

    I’m sorry Peggy, I don’t. Best wishes, Scott

  8. Peggy Lewis diz:

    I am very interested in learning about antique frame restoration. I live in Virginia and in Florida. Do you know of any source of information or instruction in repairing and restoring antique frames, particularly frames that are gilded or gold leafed?

  9. James Houston diz:

    I called off of an internet search for help with cleaning important (or us!) family portraits and I was very pleased to get an immediate call back, an affable conversation with Scott Haskins and I was pleased to know that his visit to our house in Orange County will be easily within his travel route. So, my initial connect was easy, interesting and pleasant.

  10. shelly diz:

    Thanks for this great information. I love art and like these videos.

  11. Maurice diz:

    The Thomas Hunt arrived on Saturday morning and is now safely leaning against a wall in my writing room. You and your team truly performed magica terrific restoration! Many thanks. I look forward to doing plenty of business together.

  12. Thank you for sharing the video tour and your other interesting info. Good stuff.

  13. Amanda Sellers diz:

    I liked the video which was so interesting. I am also an artist and I was thinking of doing some restoration on the side. That’s why I found your site as I was searching for info. But I don’t think this is a field that I should try working in. I can see that it takes a lot of training and it really doesn’t seem very creative/artistic. I think I’ll leave it to the professionals.

  14. Scott M. Haskins diz:

    Thanks Phil for your comments and kinds words. Its always a pleasure

  15. Philip Henius diz:

    Scott Haskins and the crew at FACL have been a beacon of light in what is often a dark night. As many avid collectors know and as Scott has mentioned repeatedly, buying fine arts can be a very slippery slope. The myriad of issues that can exist when evaluating a painting are almost endless. If not for Scott I would be without my best tool when it comes to evaluating works of art for authenticity, restoration and condition. FACL has the best outfitted lab on the west coast and with Scott’s in-depth experience in analyzing art, FACL is a must “due diligence”.
    After you know what you are getting into (or out of) FACL’s expert restoration staff once again has the tools and expertise to care for your fine art like family. I feel quite lucky to have a Conservation house of international renown right her in my home town, I just wish I’d meet them sooner!
    Thanks Scott, Francesca, Oriana and Virginia
    Philip Henius…..collector

  16. Johann Normand diz:

    Thanks for the post. I should have an X-ray and chemical examination done BEFORE I decide whether it’s worth removing the old varnish and paint.

  17. Diane Burton diz:

    I have 2 small paintings done by Henri Moser. I’d like to have them cleaned. Can you look at them?

    Thank You,

    Diane

  18. Adam Worth diz:

    Eu não poderia assumir a responsabilidade de ter que trabalhar com um artigo tão inestimável. Eu realmente respeito essas pessoas.

  19. Hello Scott,
    I would like to thank you for discussing our pigment analysis needs. I appreciate your willingness to advise in our project. I forwarded your contact info to Jill Mellick as she would personally like to explain the details.

    Cheers

  20. Scott M. Haskins diz:

    Hi John,
    Thanks for leaving your comment. Sim, we do that kind ofinvestigativework all the time. Call me so we can discuss the variables and details? 805 570 4140 – Scott

  21. John diz:

    I have an old master painting with a “Rubens” label on it. My grandmother bought it in the 1930s. I’ve had various art dealers look at it and no one will give it an absolute yes or no. (Todos querem comprá-lo ou vendê-lo.) É absolutamente muito antiga, possivelmente Escola de Rubens. O problema é, it has suffered a terrible 19th century “restoration” job. With a black light, I can see that the entire painting (with minuscule exceptions) has been overpainted. Poorly overpainted. Contudo, the composition is good and there are telltale clues that it could possibly be real underneath all the crud. I took it to a conservator today who suggested that if I want to know for sure, I should have an X-ray and chemical examination done BEFORE I decide whether it’s worth removing the old varnish and paint. Perhaps it was a Rubens that was cleaned early on by someone who didn’t know what they were doing and they removed some original paint? Who knows. My question is, where do I find someone who can do such a scientific examination of my painting? Do you do that? I look forward to hearing your comments. Thanks.
    John´s passado [tipo] ..The Last Stand Watch Free Full Length Movies Online Without Downloading or signing up

  22. Scott M. Haskins diz:

    Lewis, Sim, we can address all the issues you’ve discussed. PLease give me a call. 805 564 3438 office or 805 570 4140 mobile Talk to you soon, Scott

  23. Lewis Mason diz:

    Dear Scott, I found your contact information on the website of the De Young
    Museum. I recently inherited a painting made by a well known artist; a portrait of my grandfather. Unfortunately it was damaged
    during shipping, the glass cover broke and the glass pieces scratched
    the paper. Also the stucco of the frame was damaged. Can you repair
    this? Also I would need your advice for if we should re-frame it or
    repair the current frame, whether we should put glass in front or
    leave it without glass. I would be interested to hear what you can do and what cost I should
    be thinking off.
    Thank you and best regards, Lewis.

  24. Dawn Maloof diz:

    This was a very interesting video. Thank you so much for making it. I am going to share it right now with one of my friends. She is an art teacher and her husband does special effects for the movies. I know they will love it. I am so glad I came across this page today. This was great.

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