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Conservação de Arte – Painting Restoration

If you have studied art, collect paintings, visit museums, love period films, favor historic preservation of old buildings and are interested in restoration and preserving the past… Você vai encontrar esses PRÓXIMOS DOIS VIDEOS MAIS INTERESSANTE!

Aqui está uma turnê de insider rápida de nosso laboratório de conservação pintura.

We are also well known for Mural Conservation/RestorationOn-location jobs even outside of the US. Here is a quick super-interesting video introduction to our capabilities

We often provide the following services:

Analysis for condition/authenticity

Art related insurance evaluationsdamage assessments

Expert witness/legal testimony

Art collection consultations where extensive experience is required

Please click on the THUMBS UP to show us your support, NOW!

We do work for people in the LA Area, Palm Springs Area, Carmel/Monterey, OC-Laguna Beach, Santa Barbara Area, NV, UT, AZ, TX. See some of our testimonials! Click here.

Testimonials include both short videos and written for:

Art conservation services

Expert witness, legal testimony and consultation work

Here’s quick testimonial regarding helping with insurance matters/claims

Go to www.fineartconservationlab.com/testimonials

One of the techniques used by conservators to evaluate art and determine previous restorations is a UV black light. Learn about a new UV light, NEW INFO!

Ir a www.fineartconservationlab.com/uv-blacklight


See other links for more info in the Navigation Bar.


Call us at 805 564 3438 office

or 805 570 4140 Scott’s mobileafter hours and on weekends OK

email Scott Haskins at

faclartdoc@gmail.com


Seja sociável, Ação!

65 As respostas a Casa

  1. shelly diz:

    Thanks for this great information. I love art and like these videos.

  2. Maurice diz:

    The Thomas Hunt arrived on Saturday morning and is now safely leaning against a wall in my writing room. You and your team truly performed magica terrific restoration! Many thanks. I look forward to doing plenty of business together.

  3. Thank you for sharing the video tour and your other interesting info. Good stuff.

  4. Amanda Sellers diz:

    I liked the video which was so interesting. I am also an artist and I was thinking of doing some restoration on the side. That’s why I found your site as I was searching for info. But I don’t think this is a field that I should try working in. I can see that it takes a lot of training and it really doesn’t seem very creative/artistic. I think I’ll leave it to the professionals.

  5. Scott M. Haskins diz:

    Thanks Phil for your comments and kinds words. Its always a pleasure

  6. Philip Henius diz:

    Scott Haskins and the crew at FACL have been a beacon of light in what is often a dark night. As many avid collectors know and as Scott has mentioned repeatedly, buying fine arts can be a very slippery slope. The myriad of issues that can exist when evaluating a painting are almost endless. If not for Scott I would be without my best tool when it comes to evaluating works of art for authenticity, restoration and condition. FACL has the best outfitted lab on the west coast and with Scott’s in-depth experience in analyzing art, FACL is a must “due diligence”.
    After you know what you are getting into (or out of) FACL’s expert restoration staff once again has the tools and expertise to care for your fine art like family. I feel quite lucky to have a Conservation house of international renown right her in my home town, I just wish I’d meet them sooner!
    Thanks Scott, Francesca, Oriana and Virginia
    Philip Henius…..collector

  7. Johann Normand diz:

    Thanks for the post. I should have an X-ray and chemical examination done BEFORE I decide whether it’s worth removing the old varnish and paint.

  8. Diane Burton diz:

    I have 2 small paintings done by Henri Moser. I’d like to have them cleaned. Can you look at them?

    Thank You,

    Diane

  9. Adam Worth diz:

    Eu não poderia assumir a responsabilidade de ter que trabalhar com um artigo tão inestimável. Eu realmente respeito essas pessoas.

  10. Hello Scott,
    I would like to thank you for discussing our pigment analysis needs. I appreciate your willingness to advise in our project. I forwarded your contact info to Jill Mellick as she would personally like to explain the details.

    Cheers

  11. Scott M. Haskins diz:

    Hi John,
    Thanks for leaving your comment. Sim, we do that kind ofinvestigativework all the time. Call me so we can discuss the variables and details? 805 570 4140 – Scott

  12. John diz:

    I have an old master painting with a “Rubens” label on it. My grandmother bought it in the 1930s. I’ve had various art dealers look at it and no one will give it an absolute yes or no. (Todos querem comprá-lo ou vendê-lo.) É absolutamente muito antiga, possivelmente Escola de Rubens. O problema é, it has suffered a terrible 19th century “restoration” job. With a black light, I can see that the entire painting (with minuscule exceptions) has been overpainted. Poorly overpainted. Contudo, the composition is good and there are telltale clues that it could possibly be real underneath all the crud. I took it to a conservator today who suggested that if I want to know for sure, I should have an X-ray and chemical examination done BEFORE I decide whether it’s worth removing the old varnish and paint. Perhaps it was a Rubens that was cleaned early on by someone who didn’t know what they were doing and they removed some original paint? Who knows. My question is, where do I find someone who can do such a scientific examination of my painting? Do you do that? I look forward to hearing your comments. Thanks.
    John´s passado [tipo] ..The Last Stand Watch Free Full Length Movies Online Without Downloading or signing up

  13. Scott M. Haskins diz:

    Lewis, Sim, we can address all the issues you’ve discussed. PLease give me a call. 805 564 3438 office or 805 570 4140 mobile Talk to you soon, Scott

  14. Lewis Mason diz:

    Dear Scott, I found your contact information on the website of the De Young
    Museum. I recently inherited a painting made by a well known artist; a portrait of my grandfather. Unfortunately it was damaged
    during shipping, the glass cover broke and the glass pieces scratched
    the paper. Also the stucco of the frame was damaged. Can you repair
    this? Also I would need your advice for if we should re-frame it or
    repair the current frame, whether we should put glass in front or
    leave it without glass. I would be interested to hear what you can do and what cost I should
    be thinking off.
    Thank you and best regards, Lewis.

  15. Dawn Maloof diz:

    This was a very interesting video. Thank you so much for making it. I am going to share it right now with one of my friends. She is an art teacher and her husband does special effects for the movies. I know they will love it. I am so glad I came across this page today. This was great.

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