Edouard Vysekal’s watercolor with mold is one of those art conservation stories that’s particularly interesting to art collectors: I was called one day by to look at a framed watercolor that had mold on it. Turns out that the lady who called was the 84 year old niece of the Edouard Vysekal, a well know California artist for whom an exhibition is being organized, right now (more on that further down in the article).
The watercolor is a preparatory drawing that the 84 year old niece sat for when she was 2 years old in 1929, holding “Uncle Edouard’s favorite cat.
The mold was quite active but only growing on the upper left area of the matt and on the watercolor. Still quite tame but critical to get under control (code for “removal – clean – stabilize”). So, in the lab, we got rid of the old moldy matt, kept the original frame (cleaned it thoroughly), cleaned and killed the mold with solvents, deacidified the good quality watercolor paper and reframed it with a new acid free buffered matt. Nothing too extensive… $350.00 worth of effort, all complete with pick up and delivery to the house.
Here’s a nice picture of the 84 year old niece today. Notice the self-portrait of “Uncle Edouard” with his cat behind her. And here’s a photo of the final oil (we didn’t work on this, even though the colors would improve with cleaning) that Vysekal did from his preparatory watercolor.
I think this is all interesting stuff: to see the sitter for the painting 82 years ago and to see the preparatory watercolor for the oil. It was fun to meet the niece and see what these paintings have meant to the family and to hear how loved “Uncle Eduard” was and I like seeing Vysekal’s cat in several of the paintings.
The Vysekal exhibition and publication are being curated by Marian Kovinick and will be held at the Pasadena Museum of California Art (PMCA):
Love Never Fails: The Art of Edouard and Luvena Vysekal
September 18, 2011 – January 8, 2012
This exhibition brings together the work of two talented artists, the husband and wife team of Edouard and Luvena Vysekal, whom artist Arthur Millier described as, “diminutive, complementary and unfailingly energetic; inseparable in life, art and in newsprint.” Love Never Fails will focus on their distinctive artistic styles and how they became emblematic of modernism in a conservative art community, opening the door to an aesthetic taste for the avant-garde.
This exhibition is curated by Marian Yoshiki-Kovinick.
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